厦门豪宅别墅设计卢金龙 | 平行象上设计「实景」 / 遊木.栖光

私宅

143㎡私宅

在原木私宅的语境中，

以秩序为方法论，以宁静为精神坐标，

探索木材如何从风格符号回归建构本质。

在秩序中，寻一份宁静。

本次设计的出发点恰恰相反——

如何在城市中心，为自己创造一种安静、

松弛、秩序的居住体验。

In the context of a log-built private residence, with order as the methodology and tranquility as the spiritual benchmark, we explore how wood can return to its essential construction from being a stylistic symbol. In order, we seek a sense of tranquility. The starting point of this design is precisely the opposite - how to create a quiet, relaxed, and orderly living experience for oneself in the heart of the city.

设计灵感

Inspiration

“置身其中，我们感受到其尺寸、结构与光线，理解其独特的氛围与精神。”

——路易斯·康

客厅

Living Room

设计重新梳理和组织了生活场域。原户型入口较为局促，我们用完整的木饰面消解门厅的零散感，让人在踏入的一瞬，便能感受这个家被收整后的完整与开阔。

The design has reorganized and restructured the living space. The original entrance of the layout was relatively cramped, so we used a complete wood veneer to eliminate the scattered feel of the entrance hall, allowing people to feel the completeness and openness of the home as soon as they step in.

连续展开的客餐厅界面，以清晰的格局取代原有的碎片化状态：设计将原本零散的厨房、电器与卫生间关系，重新整合成一条复合型功能墙：洗手台、水吧、嵌入式冰箱与厨房电器被集中置入同一立面之中，餐厨的空间序列被重新组织与显现。餐桌与岛台连接在一起，更像一个家庭生活的中枢。备餐、简餐、交流、临时办公都在这里发生，空间因此形成更自然的互动关系，原本狭小的厨房也因此被减轻压力，获得呼吸。

The continuously expanded interface of the dining and living room replaces the original fragmented state with a clear layout: the design reintegrates the previously scattered relationships between the kitchen, appliances, and bathroom into a composite functional wall: the washbasin, wet bar, built-in refrigerator, and kitchen appliances are all concentrated on the same facade, and the spatial sequence of the kitchen and dining area is reorganized and rediscovered. The dining table and island counter are connected, making it more like a hub of family life. Meal preparation, light meals, communication, and temporary office work all take place here, forming a more natural interactive relationship in the space. The originally narrow kitchen is thus relieved of pressure and allowed to breathe.

相比传统住宅中被明确划分的功能空间，我更希望这里呈现一种连续、缓慢且自然的流动关系。公共区域被尽可能打开，客厅、餐厅与书房之间保持连贯的视觉与行为联系；而私密空间则通过尺度、材料变化自然过渡，而不是依赖强烈的隔断。

Compared to the clearly delineated functional spaces in traditional residences, I prefer a continuous, gradual, and natural flow relationship here. The public areas are maximally opened up, maintaining a coherent visual and behavioral connection between the living room, dining room, and study room; while the private spaces transition naturally through changes in scale and materials, rather than relying on strong partitions.

书房

Study

整个空间以连续的木质体量作为核心组织方式。客厅、书房、储物、过道、门体、影墙等功能空间被整合进统一的“木盒子”系统中。大量隐藏式收纳与弱化边界的处理，减少了视觉上的信息干扰。木盒子不仅是一个整合收纳系统，也重新释放了公共区域，让客厅获得更完整的空间关系与流动性。

The entire space is organized around a continuous wooden volume as its core element. Functional spaces such as the living room, study, storage, hallway, door, and feature wall are integrated into a unified "wooden box" system. The extensive use of concealed storage and the softening of boundaries reduce visual clutter. The wooden box serves not only as an integrated storage system but also redefines the public area, enhancing the spatial relationship and fluidity of the living room.

餐厅

Dinning Area

卧室

Bedroom

主卧的空间则保持相对克制的状态。竖向分缝的肌理赋予平面以细腻的节奏感，强调尺度、光线与休息感之间的平衡。柔软的床品、低位家具与自然采光共同构成安静的休憩氛围。

The space of the master bedroom maintains a relatively restrained state. The texture of vertical seams imparts a delicate rhythmic feel to the plane, emphasizing the balance between scale, light, and a sense of rest. Soft bedding, low-level furniture, and natural lighting together create a quiet and restful atmosphere.

衣帽间秩序纯净，镜面的介入则进一步延长了空间感受。人在穿行时，视线、光线与人的状态彼此叠合，让这个原本偏功能性的区域，也拥有了一种安静的情绪。

The cloakroom is orderly and pure, and the intervention of mirrors further extends the spatial experience. As people move through, their sight, light, and state overlap, giving this originally functional area a serene mood.

小孩房

Children's room

小孩房用更柔软的方式回应空间的本质需求，白色与低饱和色块铺陈出纯净的基底，弧形线条温柔地勾勒床体与收纳边界，削弱了直角带来的生硬感，也为日常植入一层温和的包裹。设计并未预设一个固化的“儿童风格”，而是为成长留出充分的余白，可调节高度的书桌与搁架、可随年龄变化的衣物收纳分区，空间始终处于一种“待完成”的状态。而那些散落在房间中的玩偶与手工作品，并非后期的点缀，而是被设计主动邀请的主角：壁龛的尺度、搁板的深度，都恰好安放她手工定制的玩偶与钟爱的布艺伙伴。光线穿过窗帘在织物与墙面之间缓缓游走，空间像她个人世界的延伸，安静、松弛，却随时准备容纳新的想象与创造。

我并不希望这个空间继续承载外部世界的复杂信息，

相反，它更像一个被刻意放慢的容器。

光线、材料、气味、声音以及人的状态，

都在这里逐渐变得柔和下来。

设计最终想回应的，

也许并不是“住宅应该是什么”，

而是人在长期城市生活之后，

在城市高速运转的环境里，

为自己保留的一处低噪音日常体验。

I don't wish for this space to continue hosting the complex information of the external world. Instead, it should be more like a deliberately slowed-down container. Light, materials, scents, sounds, and human states all gradually soften here.

厦门豪宅别墅设计平行象上设计 | 设计单位

卢金龙 梁翠婷 吴炜龙 王秋卜 | 设计团队

福建·厦门 | 项目地址

143㎡ | 项目面积

荣誉:

-2021年:APSDA亚太空间最具影响力奖

-2022年:上海国际设计周金梁设计奖

-2022年：APSDA亚太空间大奖赛 银奖

-2023年:日本DPA国际设计大奖

-2023年:双面神GPDPAWARD国际设计TOP100

-2024年:第二十七届中国室内设计大奖赛

CIID别墅公寓工程类优秀奖

-2024年:意大利IDA国际设计大奖

“年度T0P100国际创新设计师大奖”

2025年：金外滩设计大奖

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