【中华文化，相约巴黎文化艺术行线上展】——推荐艺术家龙晓军

龙晓军,1961年4月出生在湖南省湘西自治州凤凰县一普通职员家庭,现为中国当代书画名家协会会员。父亲以一手精湛的小楷,成就了五,六十年代,凤凰这个没有打印机的县里机要科室,著名的钢板腊纸刻写手。我也从小就耳濡目染了,他对书写文字的执着和精益求精。经常伴随他上班,加班。开始我用一张纸,学着他的样模写。慢慢地也迷上了写字,练习书法。记得我的小学阶段,《大字练习本》一学期下来,就因老师,每期要拿我的做展品,而没一本完整地拿回来过。以这样的方式,我也就打下了自学,自研书法的良好习惯:剪《报刊》,买《书法讲座》牒片,临《碑帖》。到了二十一世纪,随着科技的日新月异,更是打破了,学《书法》必拜师面授,方能精进的规矩。我从网上看到范润华老师的《狂草作品》;特别是听到、看到了况瑞峰老师的《书法讲座》,使我学到了习临草书的《秘籍》—作书必考究“神、气”。功夫必在笔力,使转,空临,点划间贯穿,不然均做白费功。这让我现在在临习怀素《自叙帖》时,感受心得颇丰,字里行间也有了不小的长进。我喜《狂草》,是欣赏狂草字里间,奔放自然的豪气。不羁绊的特质,切中我的心性。我以“草道”而笔名,不光是信奉老祖宗:不求功名闻达,而追草书技艺的工匠之精进。刚好也契合了我要孜孜不倦地追求“草书的真谛”。我的书艺道路,虽波澜不惊,却充满着艰辛。因生活的重压,多少次已放弃。但每每这档头,都得到亲朋好友的鼓励。又让我回头捡起,熟习不止。如今,在全国第五届“一带一路.国礼杯”书赛,获得“特别金奖”。这之后又不断得到大家的亲睐,厚爱。那得感谢亲朋好友们的助力。往后,不管怎样,我仍以小草的韧劲修书前行。

Long Xiaojun was born in Fenghuang County, Xiangxi Autonomous Prefecture, Hunan Province in April 1961 to a family of ordinary employees. He is now a member of the Chinese Contemporary Painting and Calligraphy Masters Association.My father's exquisite small regular script made him a famous stencil engraver in Fenghuang, a confidential department in the county that did not have a printer, in the 1950s and 1960s.I have also been influenced by his persistence and excellence in writing since I was a child.I often accompany him to work and work overtime.At first I used a piece of paper and copied his pattern.Gradually, I became obsessed with writing and practicing calligraphy.I remember that when I was in elementary school, after one semester of the "Big Character Exercise Book", the teacher wanted to use my copy as an exhibit in each issue, and I never got back a complete copy.In this way, I also developed a good habit of self-study and self-research of calligraphy: cutting out "newspapers and periodicals", buying "Calligraphy Lectures" certificates, and copying "Steles and Inscriptions".In the 21st century, with the rapid development of science and technology, the rule that learning "Calligraphy" must be taught face-to-face by a teacher has been broken.I saw Teacher Fan Runhua's "Kuaicao Works" on the Internet; especially after hearing and seeing Teacher Kuang Ruifeng's "Calligraphy Lecture", I learned Xi Lin's "Secret Book" of cursive calligraphy - writing must pay attention to "spirit and spirit" .The effort must be focused on the power of the pen, the turning, the empty space, and the penetration between dots and dashes, otherwise all the efforts will be in vain.This gives me a lot of experience when I am studying Huaisu's "Zi Xu Tie", and I have made considerable progress in reading the words.I like "Kang Cao" because I appreciate the unrestrained and natural heroism in the words of "Kang Cao".The quality of being unfettered touches my nature.I use the pen name "Cao Dao" not only because I believe in my ancestors: I don't seek fame and fame, but pursue the advancement of craftsmen in cursive calligraphy skills.It also coincides with my tireless pursuit of "the true meaning of cursive script".My calligraphy path, although uneventful, was full of hardships.How many times have I given up due to the heavy pressure of life.But every time I do this, I get encouragement from my relatives and friends.He asked me to go back and pick it up again, and I became more and more familiar with it.Today, he won the "Special Gold Award" in the fifth national "One Belt, One Road. National Gift Cup" book competition.After that, he continued to gain favor and love from everyone.I have to thank my relatives and friends for their help.In the future, no matter what, I will still use the tenacity of grass to repair books and move forward.