刘慧琼《中国“她”艺术》代表性艺术家

刘慧琼

1971 出生于四川汉源

1992 毕业于四川雅安职业技术学院高等护理管理专业

就职于雅安职业技术学院附属医院，从事医疗管理工作

现居四川雅安。写生中国会员，写生中国女子画会会员，雅安市美术家协会会员。

Liu Huiqiong

1971 Born in Hanyuan, Sichuan

1992 Graduated from Sichuan Ya'an Vocational and Technical College, majoring in higher nursing management

Working in the Affiliated Hospital of Ya'an Vocational and Technical College, engaged in medical management

Currently lives in Ya'an, Sichuan. Member of Sketch China, member of Sketch Chinese Women's Painting Association, member of Ya'an Artists Association

农家小院 布面油画 2019

A Peasant Household

Oil on canvas

60x60cm

幽居 布面油画 2020

Quiet Life

Oil on canvas

70x70cm

山的呼唤

林茂

在艺术的创作中，我们面对多元文化的冲刷，新的审美观念因人们的生活环境和文化程度不同而出现多元化，互联网的出现加快了新的审美观之间的互相渗透。绘画题材和内容亦层出不穷五彩缤纷，点燃了画家们的创作欲望，用手中的画笔来探索和表现时代精神成为画家们的日常生活，以自己对生活的理解来追求心中的美好，用作品来表达艺术生命的全部，从而给人们留下美的享受。

智者游山，仁者玩水；山水之间，气象万千。刘慧琼的作品唤醒人们对大自然山水的呼唤，大块色彩的强烈对比所产生的视觉冲击让人想要到山里去看一看。

游山玩水在全面小康社会的今天成为了现实。对山的敬畏和崇拜早已深入中国人的骨髓。不管是对山里小镇的描绘，还是对农家小院的写生都反映出作者对山的眷念。这与作者从小生活在山村的成长环境有关，为此作者对笔下“山”的描绘注入了自己的理解，表现出本土的视觉特征和精神气质。

中国传统文化中对和谐的理解非常深刻，其淡远的表象呈现出理想的极致，那就是铅华洗尽，归于“山”中的宁静与洒脱。这种文化内涵在刘慧琼的作品中得到了一定的体现。《山中日月长》中的小屋，《南郊小镇》中隐隐约约的石板路，《乡恋》里远山后面湛蓝的天空... ...。

现代人面对多元文化的冲击，面对物欲纵横的现实，少了一份对生活的淡泊境界，宗白华先生说：“精神的淡泊，是艺术空灵化的基本条件。”绘画意境的淡泊是心境淡泊的表现，所谓“言为心声”亦如此。画家将自己主观情感通过手中的画笔呈现出意境上的淡泊，追求“和谐”之美和“爱”的深重，让“山”来说话。这种美学精神具有显著的民族性和时代感，民族的也是世界的，人类对美的追求不会停留。

希望看到作者更多对“山”的理解，听到更多源自“山”的呼唤。

乡恋 布面油画 2020

Love Of Countryside

Oil on canvas

80x80cm

美丽乡村新画卷 布面油画 2020

New Picture of Beautiful Countryside

Oil on canvas

70x70cm

The Call of The Mountain

Lin Mao

In the creation of art, we are facing the erosion of multiculturalism. New aesthetic concepts are diversified due to people's living environment and cultural level. The emergence of the Internet has accelerated the mutual penetration of new aesthetic concepts. Painting themes and contents are also emerging one after another, colorful, which ignites the creative desire of painters. Using the brush in their hands to explore and express the spirit of the times has become painters' daily life, pursue the beauty in their hearts with their own understanding of life, and express the whole of artistic life with works, so as to leave people the enjoyment of beauty.

The wise enjoy the mountains and the benevolent enjoy the waters; Between the mountains and rivers, majestic and grand. Liu Huiqiong's works awaken people's call to the natural landscape. The visual impact caused by the strong contrast of large colors makes people want to go to the mountains.

Sightseeing has become a reality in today's well-off society in an all-round way. The awe and worship of mountains have long gone deep into the bone marrow of the Chinese people. Both the description of small towns in the mountains and the sketch of small farmyards reflect the author's nostalgia for the mountains. This is related to the growing environment in which the author lived in a mountain village since childhood. Therefore, the author injected her own understanding into the description of "mountain" and showed the local visual characteristics and spiritual temperament.

The understanding of harmony in Chinese traditional culture is very profound, and its distant appearance shows the ideal acme, that is, Fade all the flashiness and vulgarity of people and attributed to the tranquility and freedom in the "mountain". This cultural connotation has been reflected in Liu Huiqiong's works. The cabin in "The Sun and The Moon Are Long In The Mountains", the faint slate road in "Southern Suburb Town", the blue sky behind the distant mountains in "Love Of Countryside".

Facing the impact of multiculturalism and the reality of material desires, modern people lack a indifferent realm of life. Mr. Zong Baihua said: "the indifference of spirit is the basic condition for the emptiness of art." The indifference of painting artistic conception is the expression of indifference of mood, so is the so-called "words are the voice of the heart". The painter shows her indifference in artistic conception through her brush, pursues the beauty of "harmony" and the depth of "love", and lets the "mountain" speak. This aesthetic spirit has a significant national character and sense of the times. The national spirit is also the world spirit. Human beings will not stay in pursuit of beauty.

I hope to see the author's more understanding of "mountain" and hear more calls from "mountain".

春色满园 布面油画 2020

Spring Engulfs The Mansion

Oil on canvas

70x70cm

板栗熟了 布面油画 2021

Chinese Chestnut Is Ripe

Oil on canvas

80x80cm

吾将报以诚挚热爱

我是四十八岁那年结识油画的。机会偶然，随之便被那五彩斑斓的色彩所吸引，一发不可收拾。两年间，跟随两位恩师先后去过贵州、西藏、甘孜、凉山、重庆等地写生。无论酷暑寒冬，每到周末或节假日，一个人自由随性地去周边写生，成为乐此不疲的生活方式。印象最深的经历有两次，一次是独自驾车日行一千三百公里往返贵州。另一次，一人一车，在热情似火的高原反应一路陪伴下，从川藏线进，青藏线回，中间绕阿里一圈，历时四十三天，行程两万多公里，写生作品分几次往家里邮递。

我是零基础起步，没有黑白灰的概念和图形意识，更无色彩理论和素描基础，遑论画面构成、美学法则等更为高深的专业知识。幸运的是遇到两位恩师悉心教导，而我也无比珍惜这得之不易的机会，画画时的状态用“废寝忘食”四个字形容并无半点夸大之意。白天工作夜晚学习，两年期间作业倒也做得不少，以致不得不外租了一间屋子安放那几百件画作。

大自然给予我内心的感动和热诚，总是那般纯澈且宁静。一个人面对大自然时，常常物我两忘，仿佛那是一场自我与天地的对话，我能感受到树叶沙沙间随风舞动的生命力，感受到流水潺潺的温柔与宁静，感受到大山大水的性情与力量……我不会用想象去还原它们固有的样子，也不思量形式美都有什么标准，而是凭借自己的理解和认知去大胆描绘它们。最后的呈现，虽与心中的画面和感受天壤之别，但是这个过程，让我学会了向内思考，学会了享受孤独，学会了忠于自我的心声，教会我观看世界的方式……同画好一幅画相比，这些收获甚至更为可贵。

习画之旅进入第三个年头，五十岁生日之际，《中国“她”艺术》彩蛋一样砸在我头上，我视之为好运给予自己过去两年里勤勉努力的一份嘉奖，同时也相信，随着时间的累积，自己思想上的收获将会越来越多，越来越趋深刻。对于未来，对于画画，定将报以诚挚的热爱，永葆好奇而单纯的初心。人自如，由惑到不惑，在静好时光中滋长生命的力量。

以此方式慰藉所历光阴，愿生命之花经岁月灌溉日渐丰盈。

刘慧琼

2021-11-15

山中日月长 布面油画 2022

The Sun and The Moon Are Long In The Mountains

Oil on canvas

50x50cm

南郊小镇 布面油画 2022

Southern Suburb Town

Oil on canvas

80x70cm

I Will Give You My Sincere Love

I met oil painting when I was forty-eight years old. By chance, I was attracted by the colorful colors and got out of control. In the past two years, I followed my two teachers to sketch in Guizhou, Tibet, Ganzi, Liangshan, Chongqing and other places. Whether it's hot summer or cold winter, every weekend or holiday, a person can freely go to the surrounding to sketch, which has become a happy way of life. The most impressive experience was twice. One was driving alone for 1300 kilometers a day to and from Guizhou. Another time, accompanied by the enthusiastic plateau reaction, one person and one car entered from the Sichuan Tibet line and returned from the Qinghai Tibet line, and circled Ali in the middle. It lasted 43 days and traveled more than 20000 kilometers. The sketch works were sent home several times.

I started from zero foundation, without the concept of black, white and gray and graphic consciousness, let alone the basis of color theory and sketch, let alone more advanced professional knowledge such as picture composition and aesthetic rules. Fortunately, I met two good teachers who taught me carefully, and I cherish this hard won opportunity. The state of painting is described as "forgetting to eat and sleep" without any exaggeration. Working during the day and studying at night, I did a lot of homework during the two years, so that I had to rent a room to put hundreds of paintings.

Nature has given me inner affection and enthusiasm, which is always so pure and quiet. When I face nature alone, I often forget both things and me, as if it was a dialogue between myself and heaven and earth. I can feel the vitality of the leaves dancing with the wind, the tenderness and tranquility of the flowing water, and the temperament and power of mountains and rivers……I will not restore their inherent appearance with imagination, nor consider the standards of formal beauty, but boldly describe them with my own understanding and cognition. Although the final presentation is very different from the picture and feeling in my heart, this process has taught me to think inward, enjoy loneliness, be loyal to my heart, and teach me the way to see the world... These gains are even more valuable than painting a good picture.

In the third year of my painting study tour, on my 50th birthday, "Chinese 'She' Art "hit me like a colored egg. I regard it as good luck and a reward for my diligent efforts in the past two years. At the same time, I also believe that with the accumulation of time, my ideological gains will be more and more profound. For the future, for painting, will be rewarded with a sincere love, always curious and simple heart. People are free, from confused to not confused, and grow the power of life in a quiet and good time.

In this way, we can comfort the time we have gone through. May the flowers of life become richer and richer after years of irrigation.

Liu Huiqiong

November 15, 2021

四月天 布面油画 2022

April Day

Oil on canvas

80x80cm

茶亭 布面油画 2022

Tea Kiosk

Oil on canvas

80x80cm

主要展览

2021“绚美成都”第二届写生作品展，成都，中国

2021 雅安市政协、攀枝花市政协美术作品联展，雅安，四川

2021 四季高歌【第二届】——《知秋香已来》 线上主题展

2021 发现雁山——广西美术作品展，广西，中国

2021 汉源县庆祝中国共产党100周年美术展，汉源文化馆，四川

2021 雅安、乐山美术作品联展，雅安文化馆，雅安，四川

2021 成都现代风景油画院2021年全国风景油画线上作品展，成都，中国

2021 汉源首届流沙河文艺展，汉源文化馆，雅安，四川

2020 石棉县首届“层林尽染看石棉”油画大赛，雅安石棉县

2020 助力脱贫攻坚雅安市优秀美术作品展，雅安文化馆，四川

2020“圆梦2020──雅安市文学美术摄影作品征集活动”，雅安文化馆，四川

2020 首届雅安市妇女书画作品展，雅安文化馆，雅安，四川

2020 重庆渝中区主题美术作品交流展，重庆，中国

2019 雅安•凉山美术作品联展，西昌，四川

Selected Exhibitions

2021 "Beautiful Chengdu" The 2nd Sketch Works Exhibition, Chengdu, China

2021 Joint Exhibition of Art Works of Ya'an CPPCC and Panzhihua CPPCC, Ya'an, Sichuan

2021 Four Seasons Singing [The Second] — Online Theme Exhibition of Knowing Autumn Fragrance Is Coming

2021 Discovery of Yanshan — Guangxi Art Works Exhibition, Guangxi, China

2021 Hanyuan County Art Exhibition Celebrating The 100th Anniversary of The Communist Party of China, Hanyuan Culture Museum, Sichuan

2021 Joint Exhibition of Ya'an and Leshan Art Works, Ya'an Culture Museum, Ya'an, Sichuan

2021 Chengdu Modern Landscape Oil Painting Institute 2021 National Landscape Oil Painting Online Exhibition, Chengdu, China

2021 The First Liushahe Art Exhibition in Hanyuan, Hanyuan Cultural Museum, Ya'an, Sichuan

2020 Shimian County's First Oil Painting Competition of "Seeing Asbestos Through The Dyeing of Forests", Ya'an Shimian County

2020 To Help Fight Poverty — Ya'an Excellent Art Works Exhibition, Ya'an Cultural Museum, Sichuan

2020 "Realizing The Dream 2020 — Ya'an Literature, Art and Photography Collection", Ya'an Culture Museum, Sichuan

2020 The First Ya'an Women's Calligraphy and Painting Exhibition, Ya'an Culture Museum, Ya'an, Sichuan

2020 Chongqing Yuzhong District Theme Art Exchange Exhibition, Chongqing, China

2019 Ya'an Liangshan Art Exhibition, Xichang, Sichuan

《中国“她”艺术》一书，是中国国内第一本以双语呈现的大型文献巨构。通篇采用中英文双语编辑，主要面向国际读者、特别重视在国际间的学术领域进行推介与交流，因此在学术水准和编辑质量上要求甚高; 在编辑体例和装帧方面也更加国际化。力争做到高端大气，精益求精。在内容方面，我们致力于发掘那些能够代表当代思想高度的精品佳构; 也极为重视身处边缘，具有艺术潜质和创新倾向的实验性作品;更欢迎那些略显生涩、观念新颖、富有朝气的青年新锐的加入。因为我们深知，面向未来，面向世界，向世界发出中国女性艺术家的声音，全面展现中国女性艺术家的风采，全面展现中国女性艺术家的精神世界，就是中国当代女性的文化自觉，就是中国当代女性艺术家的担当与作为。当然，这也正是我们编辑《中国“她”艺术》一书的学术主旨和精神支点。

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