展厅深处,玉青色成为主导时空的色调。出土的数千件玉器中,人龙纹玉璋透着半透明的幽光,阴刻线在方寸之间勾连出神人与蟠龙的交缠。金链玉佩组缀成的七璜联珠在暗光中如银河垂落,青白玉受沁形成的黄褐纹路,恰似岁月绘制的星图。这些比和田玉更早进入中原的祁连玉料,被西周工匠以解玉砂慢慢磋磨出礼制的尊严。
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