【中国艺术名人汇】艺术家李培发作品欣赏

Li Peifa, born in Tianjin in 1957, graduated from the Department of Fine Arts at Xi'an International Business College. He is a master's student at Tianjin University of Technology and a graduate from the graduate class of Professor Sun Kai, a supervisor at Tsinghua Academy of Fine Arts. He is currently a member of the Tianjin Artists Association, Vice Chairman of the Jinnan District Artists Association, National First Class Artist, Senior Consultant at the Confucius Institute of China, and a featured artist on the People's Daily All Media Platform.

With a carefree mind, one can wander the world

Artist Li Peifa, graduated from the Department of Fine Arts at Xi'an International Business College, holds a master's degree at Tianjin University of Technology, and graduated from the graduate program of Professor Sun Kai, a graduate supervisor at Tsinghua Academy of Fine Arts. Perhaps influenced by his upbringing environment, or perhaps the artistic genes of his ancestors naturally flow through his bloodline, Li Peifa during his teenage years loved traditional culture, especially painting, to the extent of his passion. However, for modern young people, learning to paint from ancient times with a piece of rice paper and a brush seems extremely ordinary. However, in that difficult and filled with infinite longing era, for Li Peifa during his teenage years, even picking up a brush to write and draw on a cigarette box is a very luxurious time. Whenever there is such an opportunity, it can bring Li Peifa the joy of jumping and ecstatic joy. Nevertheless, a beating heart chases his heart. The desire for art has always accompanied Li Peifa, haunted by his dreams. From naive youth to youth, Li Peifa was eager for traditional art, diligent in learning and training, and eager to pursue it. For decades, he has been unable to let go of his long-standing aspirations; In the long river of art, he learned from ancient sages and sages one by one, copied techniques, honed his brushstrokes, and delved into life's landscape painting of flowers, grass, branches, and leaves. Then, he highly refined and transformed it into his own. Li Peifa followed the same path, accumulated knowledge, and nurtured it. He was not blinded or blinded by floating clouds, did not deliberately flatter or flatter for profit, and pursued true art as his foundation. He worked hard and tirelessly, exploring diligently, and working diligently. Now, Li Peifa has finally formed a unique artistic appearance, standing tall in the contemporary art world and receiving endless praise from society. Many works, whether published or distributed, have won rich awards, with numerous honors. These honors are a recognition of Li Peifa's artistic achievements and the best affirmation of his years of immersion in the river of art and diligence in writing.

Any form of art should not only maintain the traditional artistic genes, but also highlight the connotation of the new era and the innovative spirit of striving for progress. Li Peifa's artistic creation also follows this rule. Looking at Li Peifa's artistic world, one can clearly feel that he has a deep foundation in traditional art, and he also has distinct characteristics of the times. For decades, he has delved into ancient methods, fought against the ancients, immersed himself in the brushwork and ink taste of traditional art masters, drew on the strengths of various schools, melted the words of one school, and looked at the colorful world art. He has formed an international artistic perspective. In the integration of China and the West, he has developed a set of skills, surpassing the ancients. The characteristics of Xian's techniques are that he can close his eyes as if in front of him, hold his pen in his hand, and effortlessly combine the traditional brush and ink techniques with their shapes, lighting, and perspective The organic combination of color and other new era artistic expression languages, combined with his unique artistic talent, makes his artistic creations not only have the aesthetic characteristics of traditional ink and brush, but also meet the aesthetic requirements of the new era public. For example, his traditional landscapes such as "Clear Sound of Streams and Mountains" and "Clear April in the Empty Mountains" are skillful in using the composition rules of high, plain, and profound to render the magnificent rivers and mountains. He conveys his understanding of the natural mountains and rivers in his eyes through the ever-changing brushstrokes and brushstrokes. He uses calligraphy as a form of painting, allowing the pen tip to wander in the picture with his heart, with infinite changes in pressure, power, and direction, freely generating hair. The scattered front, side front, and center front alternate and shine, creating a wonderful interplay of bone lines and strokes. The brushstrokes are simple yet rich in meaning, while the ink is unrestrained yet full of wit. At the same time, He constructs beautiful concrete images through the light and shadow, perspective, and harmonious colors of oil paintings. In close range, plants and trees are lush and magnificent, or smoke and clouds are changing and rising. In middle range, mountains and rivers are huge and undulating, or lakes are full and clear water is rippling. In high and distant spaces, he often uses the intersection of smoke and clouds and mountains to integrate concrete images and imagery, so as to achieve a high degree of unity in poetic space and artistic expression, transitioning from the beauty in the eyes to the beauty in the chest and then to the beauty in the brush.

If Li Peifa's landscape is an effective exploration of the combination of tradition and modernity, then his western landscape works have a more contemporary spirit and innovative consciousness. He is not bound by any particular school or school, nor does he strictly adhere to the style of famous masters throughout history. On the basis of strictly adhering to traditional aesthetic standards, he explores and innovates, realizing his inner care. His shape and color benefit from years of integration between China and the West. His innovative consciousness benefits from the crystallization of years of artistic techniques and the artistic path of life philosophy. He creates a series of works in "Qilian Holy Realm", which not only has the traditional literati atmosphere in his brushwork, but also has the artistic appearance of contemporary popular aesthetics, fully reflecting Li Peifa's artistic style. The ability to shape hair and control brushstrokes, let's take a look at his works "Lucky Moments" and "Rising Sun", He integrated the lines of calligraphy into landscape painting, making his landscape more fluid and rhythmic. His brushstrokes were mature and vigorous, his colors were brilliant and harmonious, and his designs were vivid and lifelike, forming a natural and innovative artistic appearance that was unique and highlighted.

Years are like a song, and time is quiet. For decades, with a flick of his finger, he immersed himself in the creation of "mountains and rivers are restored" and "willows are hidden and flowers are bright" in art. With a mix of sour, sweet, bitter, and spicy flavors, from a naive youth to a successful artist, Li Peifa has always been immersed in the world of art, guarding his spiritual home. He is on the path of contemplation and tranquility, and has skillfully stumbled upon it. He has accumulated great ideas from his heart and created a unique product, interpreting a beautiful life and gaining unique charm in the splendid world of art.

(Wen/Cai Jialin)