港乐正在退化？他们这样回答……

结束了一整天的录制后，香港艺人王祖蓝终于坐在了镜头面前。

来到内地11年，王祖蓝对内地文化产业的发展印象深刻。“从电视平台综艺节目的火爆到互联网视频平台的发展，再到如今流行的短视频和直播平台，十多年间我经历了三个时代。”

Having come to the Chinese mainland for 11 years, Wong is impressed by the development of the mainland cultural industry. “When I first got here, the television station’s variety shows were on the rise. The second era was when the online viewing platforms were growing, from television stations to internet websites. The third era is the latest trend of videos and streaming platforms. It’s like we’ve entered a new stage.” He said.

王祖蓝表示，从某一个年代开始，内地跟香港的影视歌产业的同步和互动开始减少。“以前香港的电视剧播出时，两地观众会一起追剧，共同分享快乐。 ”互联网的蓬勃发展一方面带动了视频平台的发展，另一方面也促使平台为扩张市场，开始购买独家版权，两地观众接收资讯的途径发生改变，市场上缺乏在两地“一呼百应”的作品。

“At a certain age, we stopped being on the same page. Before, when we watched a show from Hong Kong, the audiences from the mainland caught up quite quickly.” The booming development of the Internet on the one hand has led to the development of video plat-forms, and on the other hand has prompted the platforms to purchase exclusive rights in order to expand their market, which has changed the way viewers in both places receive information, and the market lacks works that can be heard in both places.

2021年8月，王祖蓝接到了在《百变大咖秀》结缘的洪啸导演的电话，邀请他加入一档献礼香港回归祖国25周年的音乐节目《声生不息》。“任何能够宣传香港以及联络两地感情的事情，我都很想参与，所以我们一拍即合。 ”之后他为湖南卫视和香港无线电视牵线，促成了这一次两地电视台的深度合作。

香港回归祖国后，在各个领域加快融入国家发展的步伐。2003年，内地与香港签署《内地与香港关于建立更紧密经贸关系的安排》（CEPA），加强两地的经济合作；2014年，《CEPA补充协议十》出台，从人员、资金和市场交流等方面放开更多限制，香港文化及创意产业迎来更多与内地的合作机会。

Since its return to the motherland, Hong Kong has accelerated its integration into national develop-ment in various areas. In 2003, the mainland and Hong Kong governments signed the Mainland and Hong Kong Closer Economic Partnership Arrangement, or CEPA, strengthening economic collaboration between the two regions. Supplement X to CEPA was released in 2014, allowing for even more progressive measures in terms of exchange between labor, capital, markets, and other assets.

王祖蓝对内地近年为香港开放更多产业机会感触很深，“以前去内地发展有名额限制的时候，我们这些前辈几乎占据了所有名额，其实新一代没有多少机会。”他希望更多像炎明熹、曾比特这样的香港新一代演艺人员可以抓住时代的机遇，在更大的舞台上发光。

“Before, when there was a limit on how many there were allowed to be; a few of us would just hold down those spots for ourselves. And so the younger generations never had a chance but we actually do hope that the younger generation gets its time in the spotlight.” Wong said.

当香港拥抱变化、投入国家发展大局时，面对的是更大的挑战，也是更大的发展机遇，港乐的发展如此，城市的发展也是如此。只有汇入更宽广的大江大海，背靠祖国，香港才能开启发展的新篇章。

The development of Hong Kong’s music is also in itself a distillation of this city’s development. Standing on the shoulders of the homeland, Hong Kong begins a new chapter of her development.

出品人： 刘伟玲

制作人：薛婧琪

监制：史小凤

编辑：吴玮莹 郑宛萦

中国日报香港版 出品