清,朱耷,《荷花小鸟图》。品赏书画时,虽不重形,但不能失形,太似易生匠气,不似则为欺世,重要的是要有神采。人物的神是内在的精神气质,山水的神是汇聚的生机气象,花鸟的神是造物的寓意韵致,书法的神是点划的笔力态势。所以画品六法强调“应物象形”、“随类赋彩”,而这些都需要不断的“传移模写”才能得心应手。
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