竹耙斜倚在谷堆旁,像农人劳作后伸展的臂膀。木柄被无数个秋天的手掌磨得温润,露出竹筋细密的纹理;五根竹齿微微张开,还保持着最后一次梳理谷粒的姿势——只是谷粒已经归仓,此刻卡在齿缝间的,是比稻谷更轻盈的东西。
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第一粒晚霞卡在最宽的齿根处。那是天边最早泛起的橘红,被竹齿筛过之后,只剩下最浓稠的一小撮,像凝固的枫糖浆,顺着竹纹的沟壑缓缓流动。第二粒挂在中间那根齿的尖端,是胭脂与金箔的混合体,颤巍巍地悬着,每阵风过都摇摇欲坠,却始终不肯落下。第三粒最小,陷在最细的齿缝里,是那种接近天际线时最后的淡紫,还掺着一丝青黛,像被暮色浸透的葡萄皮。
晒谷场已经空了。风车静止,簸箕倒扣,麻袋们鼓囊囊地排坐在檐下。只有这把竹耙还守在原地,用木齿替大地收藏今日最后的流光。它的影子拖得很长,长到能触及第一颗升起的星——那影子也是竹耙的形状,只是齿缝间卡的,换成了刚磨好的、银亮的月色。
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更夫路过时,竹耙在夜色里成了一道剪影。木齿间的晚霞渐渐冷却,从橘红暗成赭石,从胭脂转为铁锈,最后融进竹材本色的深褐里。而明日晨光初露时,新的谷粒又将铺满晒场,竹耙会被重新举起,在朝阳里划出第一道弧线——那时它的齿间,将盛满比晚霞更饱满的、金黄色的丰收。
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