2025年德国电影展·北京站 百老汇系列影城片单发布｜2025 FGC Broadway Cinemas Programme

右滑查看今年的主视觉海报 Swipe to see our key visual posters ▸

2025年德国电影展·北京站 百老汇片单来啦！

2025 FGC Broadway Cinemas Programme Out Now！

SWIPE FOR ENGLISH VERSION ▸

2025年德国电影展·北京站将于11月7日-16日展开，在百老汇系列影城及歌德学院为观众呈现12部精彩的德国佳片。本次首先带来的是将于百老汇系列影城展映的7部作品。它们会在北京百老汇电影中心（万国城店）及北京百丽宫影城（国贸店）与观众见面（放映影院以实际排片为准）。

影展由德国电影协会和北京德国文化中心·歌德学院（中国）联合举办，百老汇系列影城协办，并得到了德国驻华大使馆及领事馆的支持。

其他城市片单及开票信息将陆续公布，敬请关注各地百老汇系列影城官方公众号！

The Festival of German Cinema 2025 will open in Beijing on November 7th. The festival will screen a total of 12 films in Broadway Cinemas and at the Goethe-Institut China in four cities across China. Here, we are introducing the first seven films that will be screened at Broadway Cinemas in Beijing, includingBroadway Cinematheque Beijing (MOMA)andPalace Cinema (CWTC BJ).

The Festival is presented byGerman Filmstogether with co-organizers,the Goethe-Institut ChinaandBroadway Cinemas, with the support of the German Embassy and Consulates in China.

Programme and ticketing information for other cities will be announced soon on the official social media platforms of Broadway Cinemas! Stay tuned!

2025年德国电影展预告片 2025FGC Trailer

百老汇系列影城展映片单

Broadway Cinemas Programme

在我父母家IN MY PARENTS' HOUSE

蒂姆·艾尔里奇

德国｜2025｜剧情

97分钟｜德语

在父母家中，霍勒的哥哥斯文已独自沉默生活了数十年。他游离于家庭生活之外，身影逐年淡去。无人知晓他内心的世界，家人们早已默许这种沉默与容忍构筑的脆弱平衡。唯有霍勒始终无法全然接受。尽管如此，她也已不再提起，转而专注于自己作为灵性疗愈师的新使命——这是她首次真正踏上自我实现之路。

然而当母亲突然入院，这虚假的平静骤然粉碎。面对哥哥日益恶化的状态，霍勒不顾其抗拒与家人的迟疑，决意伸出援手。当其他兄弟姐妹选择回避时，只有她察觉到一场更大的危机正在逼近。

Tim Ellrich

Germany｜2025｜Fiction Feature

97 min｜German

In her parents’ house, Holle’s brother Sven has been living in silent isolation for decades. He remains detached from the family’s life, seeming to fade away more and more each year. What goes on inside him is a mystery to everyone, and his family has quietly come to terms with the situation - a fragile balance of silence and tolerance. Only Holle is the one who has never fully accepted this situation. Nevertheless, she no longer brings it up, focusing instead on her new calling as a spiritual healer. For the first time, Holle is taking steps toward her own self-fulfillment. But when her mother is unexpectedly admitted to the hospital, the deceptive calm shatters. Holle is increasingly confronted with her brother’s worsening condition and becomes determined to help him, despite his resistance and the family’s reluctance. While her other siblings look away, Holle senses a far greater crisis looming.

第54届鹿特丹国际电影节

金虎奖 评委会特别奖

2025 International Film Festival Rotterdam

[Winner] Tiger Award - Special Jury Award

马戏团的孩子CIRCUSBOY

安娜·科赫&尤利娅·莱姆克

德国｜2025｜纪录

86分钟｜德语

十一岁的桑蒂诺——一个生在篷帐下的孩子。他与八十岁的曾祖父（欧洲最后几位传奇马戏班主之一）形影不离，这一老一少成了忘年之交。他们共同珍藏那些温热的记忆：与大象的友谊、告别的时刻、新的启程，以及大篷车上的流浪人生。

这部纪录片式的公路电影真实而魔幻地记录了现代游牧民族的生活，透过少年的眼睛展现这个与动物为伴、以帐篷为家的延展式家族。没有安全网的人生，却如飞鸟般自由。适合全家观赏的作品，完美呈现了马戏团生活的现实与魔力。

Anna Koch & Julia Lemke

Germany｜2025｜Documentary

86 min｜German

Eleven-year-old Santino is a child of the circus. He loves to spend time with his eighty-year-old great-grandfather, one of Europe‘s last great circus directors, who has become his best friend. Together, they share heartwarming stories: tales of a friendship with an elephant, of farewells, new beginnings, and life on the road.

CIRCUSBOY chronicles the lives of these modern nomads, capturing a young boy‘s experience growing up among an extended family and animals—a life without a safety net, as free as a bird. This documentary road movie for children and families portrays circus life in all its reality and magic.

第75届柏林国际电影节

新生代儿童单元 水晶熊最佳长片特别提及

2025 Berlin International Film Festival

[Winner] Generation Kplus - Crystal Bear Special Mention

默尔恩来信THE MOELLNS LETTER

马丁娜·普里斯纳

德国｜2025｜纪录

97分钟｜德语、土耳其语

1992年11月，发生在默尔恩的种族主义纵火案彻底摧毁了易卜拉欣·阿尔斯兰一家。年仅七岁的易卜拉欣虽幸免于难，却永远失去了妹妹、表姐和祖母。案发后，这座城市收到数百封慰问信，却在近三十年间被束之高阁。当易卜拉欣踏上这段交织着伤痛与发现的旅程，与三位写信人相遇时，这些重见天日的信件在过往与当下之间架起了一座情感与影像的桥梁。影片跟随易卜拉欣兄弟的足迹，深刻描绘了这场持续至今的创伤图景——哥哥易卜拉欣选择通过反种族主义斗争和以受害者视角为核心的纪念文化来疗伤，而弟弟纳姆克仍在直面创伤的漫漫长路上艰难前行。

这部作品不仅放大了受害者与幸存者的声音，更揭示了当年不为人知的炽热声援——那些受害者们从未知晓的温暖。它提供了一种全新的记忆视角：认真倾听幸存者的声音与经历，给予他们应得的关注空间和历史认同。

Martina Priessner

Germany｜2025｜Documentary

97 min｜German, Turkish

In November 1992, a racist arson attack in Mölln shattered the lives of İbrahim Arslan and his family. At just seven years old, İbrahim survived, but he lost his sister, his cousin and his grandmother. In the aftermath of the attacks, the city received hundreds of letters of solidarity which were ignored for nearly three decades. Woven into İbrahim’s poignant journey of discovery and his encounters with three letter writers, these rediscovered letters form a visual and emotional bridge between past and present. The film follows İbrahim and his siblings, painting a complex portrait of the lasting trauma that continues to affect them to this day. While İbrahim has found a way to cope by fighting against racism and advocating for a remembrance culture centred on the victims’ perspectives, his brother Namik is still at the beginning of his journey to come to terms with the traumatic experiences.

The film not only amplifies the perspectives of the victims and survivors but also uncovers the vibrant solidarity that once existed – a solidarity of which the victims and survivors were previously unaware. It offers a new perspective on remembrance – one that takes the voices of survivors and their experiences seriously and provides them with the space and recognition that they deserve.

第75届柏林国际电影节

全景单元 最佳纪录片观众选择奖

2025 Berlin International Film Festival

[Winner] Panorama Dokumente - Audience Award

玛丽埃尔都知道

WHAT MARIELLE KNOWS

弗雷德里克·汉巴莱克

德国｜2025｜剧情

87分钟｜德语、法语

茱莉亚和托比亚斯堪称完美夫妻。但在光鲜外表与设计师厨房的背后，暗流正在涌动。当女儿玛丽埃尔突然觉醒心灵感应能力——无论昼夜都能窥见父母的一言一行时，夫妻间脆弱的平衡被彻底打破。两人很快意识到，那些互相欺瞒的谎言再也无法对玛丽埃尔隐藏。当最不堪的秘密接连曝光，茱莉亚和托比亚斯陷入了一场相互操控的游戏，局面逐渐演变成越来越尴尬荒诞的闹剧，最终将矛盾与后果推向不可收拾的地步。

Frédéric Hambalek

Germany｜2025｜Fiction Feature

87 min｜German, French

Julia and Tobias seem to be the perfect couple. But behind the façade and designer kitchen, trouble is brewing. The fragile balance between the two is shattered when their daughter Marielle suddenly develops telepathic abilities, granting her the power to see and hear everything her parents do – day and night. The couple soon realises that the lies they have been telling each other can no longer be hidden from Marielle. When their most uncomfortable secrets are exposed, Julia and Tobias engage in a manipulative game that leads to increasingly awkward and absurd situations which escalate the conflict and the consequences.

第75届柏林国际电影节

主竞赛单元 金熊奖(提名)

2025 Berlin International Film Festival

[Nominee] Competition - Golden Berlin Bear

骄傲与姿态PRIDE & ATTITUDE

格尔德·克罗斯克

德国｜2025｜纪录

113分钟｜德语

《骄傲与姿态》这个恰如其分的标题，矗立在克鲁格/内格特与简·奥斯汀的思想交汇处。格尔德·克罗斯克最新这部审视东德历史语境及其余波的纪录片中，女主角们既关注劳动力量，也探寻女性实现社会参与与自我价值的可能途径，抑或是追问为何男性在不同政治体制下都视这些权利为理所当然。影片开篇引用克里斯塔·沃尔夫的警句："历史的天平总是倾向那些有足够气息决定风向的人"。通过分屏实验手法，克罗斯克构建起女性、东德、西德的三重对话维度，叩问"曾经获得什么——又失去了什么"。影片呈现莱比锡Kanal X电视台在1990年代初拍摄的珍贵U-matic录像带，记录下产业女工遭遇真实裁员与设备拆除的历史场景。当这些女性如今再度讲述失去来之不易的自主权时，这部多声道电影成为一次震撼人心的档案发现。

Gerd Kroske

Germany｜2025｜Documentary

113 min｜German

The views of female employees of large factories in a country that no longer exists. Pride & Attitude. A title appropriately settled at the intersection of Kluge/Negt and Jane Austen. The protagonists in Gerd Kroske’s latest survey of the past and the state of affairs in the context and afterlife of East Germany are concerned with both – labour power and questions of women, as in questions about possibilities as a woman to work, participate actively in social life and achieve self-realisation. Or the question of why men take these issues for granted, ultimately regardless of the political system. “The mantle of history blows in favour of those with enough breath to determine the direction of the wind,” states Christa Wolf in a quote at the start of the film. Woman, East Germany, West Germany: Kroske creates an experimental set-up with split screens and asks, “What was once gained – what is lost?” The film presents U-matic footage of female industrial workers in the early 1990s shot by Leipzig’s Kanal X to document real dismantling and layoffs. An archival find. Today, the same women speak again about the loss of their hard-won sovereignty. A multi-channel film.

第75届柏林国际电影节

论坛单元

2025 Berlin International Film Festival

Forum

歇斯底里HYSTERIA

穆罕默德·阿基夫·布尤卡塔莱

德国｜2025｜剧情

104分钟｜德语、英语、土耳其语、库尔德语、阿拉伯语

当片场惊现一本被焚毁的古兰经时，电影拍摄急转直下陷入黑暗漩涡，整个剧组陷入混乱。实习生艾莉芙被卷入这场风波，被迫参与一场充满秘密、指控与谎言的危险游戏。穆罕默德·阿基夫·布尤卡塔莱这部充满暧昧与挑衅的阴谋惊悚片，巧妙运用"戏中戏"手法，剧情反转令人猝不及防。影片尖锐地探讨了影像的力量，以及社会认知、心理投射与集体癔症之间的微妙博弈。

Mehmet Akif Büyükatalay

Germany｜2025｜Fiction Feature

104 min｜German, English, Turkish, Kurdish, Arabic

When a burned Quran is found on a film set, the shoot takes a dark turn and the crew are thrown into turmoil. Caught in the crossfire, an intern, Elif, is drawn into a dangerous game of secrets, accusations and lies. Mehmet Akif Büyükatalay’s ambiguous, provocative conspiracy thriller plays with the film-within-a-film motif and is rich in unexpected twists. A piercing reflection on the power of images and the dynamics of perception, projection and societal hysteria.

第75届柏林国际电影节

全景单元 欧洲电影奖

2025 Berlin International Film Festival

[Winner] Panorama - Label Europa Cinemas

缔造者：一支德国重金属的传奇

KREATOR: HATE & HOPE

考度拉·卡布里茨-珀斯特

德国｜2025｜纪录

110分钟｜德语、英语

在全球乐迷心中，他们是神祇般的存在，但他们的音乐却仿佛被恶魔附体——比任何人都更暴烈、更迅猛、更不妥协。德国乐队KREATOR早已登顶鞭挞金属乐坛。本片首次完整呈现这支传奇金属乐队四十年的历史，从1982年在鲁尔区校园乐队的初创时期，到如今世界巡演的国际大舞台。无论过去还是现在，他们始终直面社会的仇恨与深渊。尖锐的音调、精湛的吉他连复段和充满能量的鼓点，以惊人的意志力和创造力诠释着这个文明的动荡。在汉娜·阿伦特的语录和无头尸体的意象之间，浮现出一首精心雕琢的混沌诗篇——这支对抗邪恶的音乐"莫洛托夫鸡尾酒"，具有强烈的宣泄效应。

Cordula Kablitz-Post

Germany｜2025｜Documentary

110 min｜German, English

For their fans worldwide, they are gods, but their music seems possessed by the devil—more aggressive, faster, and more uncompromising than others. The German band KREATOR has long since reached the pinnacle of the thrash metal scene. The film KREATOR – HATE & HOPE tells the forty-year history of the celebrated metal band for the first time, from their founding as a school band in 1982 in the Ruhr area to the grand international stages of their current world tour. Then as now, they stand against the hatred and the abysses of our society. Shrill tones, virtuosic guitar riffs, and energetic drumbeats process the turmoil in our civilization with tremendous willpower and creativity. Between Hannah Arendt quotes and headless corpses, emerges a well-crafted poetry of chaos full of symbols of horror – a musical Molotov cocktail against evil with a cathartic effect.

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