【2022 年度全球各界顶级人物】—— 中国艺术名家·高明柱

高明柱，1952 年生人，字敬之，号寻径斋，祖籍河南邓州，居北京。中共党员，毛体书法家，诗人，国学大师，诺贝尔国际艺术奖。被中国文联、文化部文化艺术人才中心聘任新时代文化艺术人才中心艺术顾问，现为全国书画艺术委员会主席，国家网络艺术馆名誉馆长，央媒文化组委会艺术顾问，北京心海文化艺术研究院、北京润格艺术品鉴定中心首席评估鉴定顾问，人民美术艺术家委员会委员，中国楹联学会书法艺术研究会副秘书长，【中华国粹】诗词研究专刊第一届理事会副主席，中国民族建筑研究会书画艺术专业委员会副主席，中国老年书画研究会、中国书法家协会、中华诗词学会会员，苏富比研究所研究员。当代国艺圣手，国务院国宾礼特供艺术家，国家高级书法师，中国艺坛流派宗师，中国国宾礼形象大使，“兰亭高明柱体”字体设计师，中国非物质文化遗产传承人物，2021 艺术传承人物。创建首批中国文化名人工作室：高明柱工作室、高明柱艺术馆。被授予：东方之子、当世怪才、一代方家、人民艺术家、人民艺术十大家、国学十大名家、中国当代十大德艺双馨艺术家，中国当代十大文化学者。获书法艺术学位，法兰西皇家美术学院艺术学博士学位，瑞典皇家美术学院荣誉博士学位，中国文学艺术界学术奖，中国文化艺术节终身成就奖，金猴奖、金鸡奖、金犬奖三连冠。出版有《高明柱书法集》《中国国宾礼形象大使·高明柱》《新中国功勋艺术家档案·高明柱》《一代方家·高明柱名家艺术鉴赏》《高明柱艺术馆成立艺术特别专刊》《一带一路高峰论坛·中国著名书法家高明柱》《百年巨匠 艺术典藏·民族艺术名家高明柱作品精选》《中国近现代名家书法集》高明柱卷大红袍等专辑。

高明柱先生受祖辈的影响和熏陶，自幼酷爱书法、诗词，先后毕业于河南书法函授院，中国书协书法培训中心研修班，上世纪 60 年代初执笔学习楷书，70 年代学习隶书、篆书及毛主席的诗词手书，80 年代始学习王羲之书法及历代名家书法，数十年如一日默默耕耘，临池不辍。在创作过程中善于汲取前人的经验和艺术精华，主张艺术源于生活，从平凡的生活中挖掘素材，擅长观察思考、提炼、升华，并获取创作灵感，师古不泥，大胆创新，经过反复锤炼，逐步形成了用笔圆润，线条流畅，潇洒飘逸的艺术风格，创作出大量为人称道的优秀作品。受到了范曾、欧阳中石、张海等老一辈艺术家的高度评价。范曾先生在人民大学国学开讲时提到高明柱是在“用心写字”并题“诗书皆佳”相赠。权希军先生在高明柱大红袍专辑的序言中写到：“高明柱先生的书法，从运笔、用墨、布局、章法等来看，其作品布局严谨而不呆板，灵动而不杂乱，行草挥洒自如，古韵悠长而刚柔并济。笔墨变化多姿，潇洒飘逸，既有浑厚苍劲的气劲，又有温柔秀雅的情韵，承传统于字里行间，出新度于法度之外。真正做到了思想性，艺术性，观赏性的统一，德艺双馨，已具有名家风范且能为其他书家创作提升提供了可凭借鉴的有益启示。”欧阳中石先生也精辟的评点其高明柱的书法：“综观他的书法作品使人感到新而不薄，就【鸿图国韵】来说，华而不媚，成篇作品不失法度，少字作品不失大器，柔刚相济，雄秀并举，血肉丰满，结构天成。师古而不泥古，求新而不取宠。此乃众多古人铸于心、予以笔，集百家之长融于他自己。”博采众长的书法家高明柱，他的行草取毛体之狂放，融二王之韵致，摄米南宫之笔意，挥洒自如，活泼灵动，古韵悠长而刚柔并济，雅俗共赏，开一代行草风格。书法直取自然万象入书，大气磅礴，匠心独具，其作品大开大合而不失肃穆儒雅，潇洒飘逸而不失浑厚稳重，痛快淋漓而不失规矩法度，实可谓动中寓静，以静致动，静以动美，动因静生，妙趣无穷，苍静有力，气度非凡，美不胜收，有滚滚风云一泻千里之势，自成一体。当代评论家玉山先生则评其高明柱书法称道：“高明柱的行草书，取毛体之豪放，融二王之遒劲，摄米南宫之率意欹险，行笔婉转流畅，洒脱自然，笔锋颖脱，墨线内转外拓，大开大合，露锋以纵其神，藏锋以包其势，字字之间或欹斜、映带、揖让、向背、偃仰、错落奇崛，勾连首尾，上下呼应，纵横布局，跳宕回环，一气贯注，势不可挡。通篇之下而又绵绵不绝，如江流绕芳甸，豪畅奔流。笔墨疾徐纵横，如激雷跳荡，风卷残云，字态龙腾虎跃，惊蛇入草，飞鸟入林，而收笔又无往不复，无垂不缩。

除草书外，高明柱的行书遒厚丰润，格调清新，结字笔画均承法度而又新颖独到，呈现出清润秀逸、儒雅朴茂、高古邵秀之美”。中国新闻网评其高明柱书法：“高明柱老师的书法创作理念具有合理性，其创作实践也证明具有现实可行性和可借鉴意义，获中国书法界广泛认可。我们今天看他的作品，已经不能以传统意义上的书法来看待。他与众不同的地方就在于他思考传统、反思传统，这是他对当前书法的最大贡献。他的书法是改革开放和中华民族伟大复兴时代的产物，是 21 世纪习近平新时代中国特色社会主义时代之产物。它沿自传统是中国书法艺术发展至今的新创，它表明中华国粹之书法艺术没有衰落，依然充满着持续旺盛的生命力。”人民美术网在“感受深厚底蕴——人民艺术家高明柱书法欣赏”报道中评论高明柱书法：“高明柱先生作品，行施武功的连贯之法，大笔雄墨，如风似电，一笔而成，行笔施墨，让人眼花不解其轨，唯在凝神聚气之后，悟其定势之威。先生的笔墨张驰有力，字体苍劲飞动，字形宽广顿挫，能够表达出，心胸宽广的品德修养。先看作品整体感觉，再看细节特征，章法改变，结体夸张，浓淡相宜，使视觉冲击力出现了更多的节奏和韵律变化。高明柱先生的作品体现着他书法的根深底色，显示了他书法的文人潇洒，性情与法度结合和谐显成臻美的精彩。先生有潇洒却不浅薄，显张力远离轻薄，有法有度，自由风流，逸如云烟，相当悦目。有粗细立体的独特表达，字字可突盈纸面，大有空间质感!这是感性与理性相互加持的书法奇观。这样的书法作品，可以装饰万家屏障，成为先生在书坛大颂口碑的见证。”

高明柱老师系 2008 首届全国十佳毛体书法家，2009 年度感动中国十大艺术骄子，2011第二届中国最具网络人气美术家十大年度人物。2012 年中央电视台先锋中国先锋会客厅以“东方之子·高明柱”为题作三十分钟的专题报道;2013 年为纪念毛主席诞辰 120 周年，向毛主席诞辰 120 周年献礼，120 幅书法作品在中华世纪坛世界艺术馆成功展出，名家对话栏目作二十分钟的专题报道;2015 年天津人民美术出版社出版发行【中国近现代名家书法集】高明柱卷大红袍专辑 2000 册，全国新华书店经销。被中国非物质文化遗产办公室授予：“中国非物质文化遗产出版物”并授予：高明柱“中国非物质文化遗产传承人物”;中国非物质文化遗产艺术委员会以《中国近现代名家书法集》命名“高明柱大红袍名家工作室”;2017 年广东广播电视台古韵今谈栏目以“中国著名书法家高明柱”为题作专题报道;2018年书法作品作为国礼赠送给吉尔吉斯共和国总理府收藏，人民日报袭古创今栏目人物专访以高明柱“继古人之神韵、开时代之新风”为题作 10 分钟的专题报道;2019 年文化部艺术发展中心资质认证：“当代著名书法家”，国学文化艺术中心专业艺术委员会决定正式授予：高明柱“国学大师”。2020 年新华号以中国著名书法家高明柱：“字体飞动继古人之神韵 线条流畅开时代之新风”为题进行报道;2021 年高明柱书法作品被中华人民共和国国家版权局登记，兰亭字库工程工作委员会研究决定，高明柱字体纳入兰亭字库并命名为“兰亭·高明柱体”，特聘请高明柱老师为“兰亭高明柱体”字体设计师一职。8 月 17 日时代周刊新闻报道：跨国文化传播视界——2021 年度中国国家艺术形象代表人物高明柱·“兰亭高明柱体”亮相兰亭字库。人民日报有品质的新闻以高明柱“潇洒飘逸的书法艺术与技法点评”进行报道;被中国文联授予：“2021 艺术传承人物”，文旅中国以“建党百年特刊·艺术家高明柱作品欣赏”及“弘扬中国文化传递中国声音·中华艺术大家高明柱”进行报道;2022 年 3 月被文化部文化艺术人才中心和中国文联聘任新时代文化艺术人才中心艺术顾问，5 月荣获诺贝尔国际艺术奖，并被授予：“国际艺术巅峰人物及瑞典皇家美术学院荣誉博士学位”。

书法作品毛泽东《沁园春·雪》镌刻于中国八达岭新长城。作品收录《决策中国网·中国影响力人物数据库》《喜迎二十大·新时代民族艺术楷模》《中华人民共和国年鉴》《中国美术年鉴》《中国美术选集》《艺术家列传》《文化月刊》《艺术人生》《书坛巨擘》《不忘初心》《香港印象》《故宫典藏》《人民美术》《艺术传承》《大国大家》《金牌艺术家》《国礼艺术大师》《中国当代书法史》《中国艺坛流派宗师》《中国艺术宝藏》《当代国艺圣手》《感动世界艺术巨匠》《传世经典·大师风范》《艺术传承·中华名人书画作品鉴赏》《一代方家·九大名家艺术鉴赏》《世界殿堂级艺术大师·孩子一生应该知道的二十位殿堂级艺术家》《中华传世诗书画全集》《中国艺圣·启功、高明柱双人集》《新中国诗词大典》《新中国诗词三百家》《新中国国学三百家》等。

Gao Mingzhu, born in 1952, with the word Jing Zhi and the number Xun Jingzhai, is a native of Dengzhou, Henan Province and lives in Beijing. CPC member, Maoti calligrapher, poet, Sinology master, Nobel International Art Prize. He has been employed by the China Federation of literary and art circles and the culture and art talent center of the Ministry of culture as the art consultant of the new era culture and art talent center. He is now the chairman of the national calligraphy and painting art committee, the honorary curator of the national online art museum, the art consultant of the central media culture organizing committee, the chiefevaluation and appraisal consultant of Beijing Xinhai culture and Art Research Institute and Beijing Runge art appraisal center, and a member of the people's art and artists Committee, Deputy Secretary General of the Calligraphy Art Research Association of the Chinese couplet Association, vice chairman of the first Council of the poetry research special issue of [quintessence of Chinese culture], vice chairman of the calligraphy and painting art professional committee of the Chinese National Architecture Research Association, member of the Chinese elderly calligraphy and Painting Research Association, the Chinese Calligrapher Association, the Chinese poetry society, and researcher of Sotheby's Institute. Contemporary national art master, State Council guest ceremony special artist, national senior calligrapher, master of Chinese art genre, image ambassador of Chinese national guest ceremony, "Lanting Gaoming column" font designer, Chinese Intangible Cultural Heritage Heritage inheritor, 2021 art inheritor. Create the first batch of Chinese cultural celebrity Studios: Gao Mingzhu studio and Gao Mingzhu Art Museum. He was awarded: the son of the Orient, the genius of the time, a generation of Fangjia, people's artists, ten masters of people's art, ten masters of Chinese traditional culture, ten artists with both virtue and art in contemporary China, and ten cultural scholars in contemporary China. He received a degree in calligraphy art, a doctorate in art from the Royal Academy of Fine Arts in France, an honorary doctorate from the Royal Academy of Fine Arts in Sweden, an academic award in the Chinese literary and artistic circles, a lifetime achievement award at the Chinese culture and Art Festival, and three consecutive goldenmonkey Awards, Golden Rooster Awards, and golden dog awards. He has published the calligraphy collection of Gao Mingzhu, the image ambassador of China's state guest ceremony, the archives of meritorious artists in New China, Gao Mingzhu, the art appreciation of a generation of Fangjia · Gao Mingzhu masters, the special issue of the establishment of Gao Mingzhu Art Museum, the the Belt and Road Summit Forum · Gao Mingzhu, a famous calligrapher in China, the art collection of a century old master · selected works of national art masters, and the calligraphy collection of modern and contemporary Chinese masters Gao Mingzhu rolls Dahongpao and other albums.

Influenced and nurtured by his ancestors, Mr. Gao Mingzhu loved calligraphy and poetry since childhood. He graduated from the Henan calligraphy correspondence academy and the calligraphy training center of the China Calligraphy Association. He wrote and studied regular script in the early 1960s, learned official script, seal script and Chairman Mao's poetry calligraphy in the 1970s, and began to learn Wang Xizhi's calligraphy and the calligraphy of famous masters in previous dynasties in the 1980s. He has been working silently for decades. In the process of creation, he is good at drawing on the experience and artistic essence of predecessors, advocating that art originates from life, mining materials from ordinary life, and is good at observing, thinking, refining, sublimating, and obtaining creative inspiration. He is not muddy, bold and innovative. After repeated tempering, he has gradually formed an artistic style with round pens, smooth lines, natural and elegant, and created a large number ofexcellent works that are praised by people. It has been highly praised by the older generation of artists such as fan Zeng, Ouyang Zhongshi and Zhang Hai. Mr. Fan Zeng mentioned at the opening lecture of Chinese Studies at Renmin University that Gao Mingzhu was "writing with heart" and entitled "good poetry and books". Mr. Quan Xijun wrote in the preface of gaomingzhu Dahongpao Album: "Mr. Gao Mingzhu's calligraphy, from the perspective of pen use, ink use, layout, composition, etc., its work layout is rigorous but not rigid, flexible but not messy, the grass is flowing freely, and the ancient rhyme is long and rigid and soft. The pen and ink are varied, natural and unrestrained, with both vigorous vitality and gentle and elegant charm. It is inherited between the lines, and the novelty is beyond the Dharma. It truly achieves the unity of ideology, artistry and appreciation, and virtue Art is a double fragrance, which has the style of a famous writer and can provide useful enlightenment for other calligraphers to improve their creation. " Mr. Ouyang Zhongshi also incisively commented on his Gao Mingzhu's Calligraphy: "taking a comprehensive view of his calligraphy works makes people feel new but not thin. In terms of [Hongtu Guoyun], it is gorgeous, the finished works do not lose the law, the works with less characters do not lose the big tools, the combination of softness and rigidity, the combination of masculinity and beauty, the fullness of flesh and blood, and the natural structure. Learning from the ancient but not the ancient, seeking innovation but not flattering. This is cast in the heart and pen by many ancients, and integrating the strengths of hundreds of schools into himself." Gao Mingzhu, a calligrapher who draws on the merits of others, takesthe wild style of hair in his cursive, integrates the charm of the two kings, and captures the brushwork of minanggong. He is free and easy, lively and flexible, with a long ancient rhyme and the combination of hardness and softness, which is appreciated by both refined and popular tastes, and opens a generation of cursive style. Calligraphy takes everything from nature directly into the book. It is majestic and unique in originality. Its works are open and close without losing solemnity and elegance, natural and elegant without losing thick and steady, incisive and lively without losing rules and regulations. It can be said that there is stillness in motion, moving with stillness, dynamic beauty with stillness, infinite in charm, calm and powerful, extraordinary in bearing, and beautiful. It has the momentum of rolling clouds and winds, and it is a whole. Mr. Yushan, a contemporary critic, commented on Gao Mingzhu's calligraphy and said: "Gao Mingzhu's cursive script takes the bold and unrestrained style of the hair, integrates the strength of the two kings, captures the rate of Minan palace, and is dangerous. The strokes are gentle and smooth, free and easy and natural, the strokes are sharp, the ink lines turn inside and outside, and open and close widely. The front is exposed to vertical spirit, the front is hidden to cover its potential, and the words are inclined, reflected, bowed, backed, tilted, scattered and strange, hook the head and tail, echo up and down, vertical and horizontal layout, jump and loop, one breath concentration, unstoppable. The whole article Under it, it is continuous, like the river flowing around Fangdian, running freely. The pen and ink are swift and horizontal, such as thunder, wind and clouds, words leaping, startling snakes into the grass, birds intothe forest, and the pen is never gone, never drooping. In addition to the cursive script, the running script of Gao Mingzhu is thick and plump, with a fresh style, and the knot strokes are both traditional and novel, showing the beauty of elegance, elegance, simplicity, and elegance ". China news.com commented on Gao Mingzhu's Calligraphy: "Mr. Gao Mingzhu's calligraphy creation concept is reasonable, and his creation practice has also proved to be realistic, feasible and referential, which has been widely recognized by the Chinese calligraphy community. We can no longer look at his works in the traditional sense of calligraphy. What makes him different is that he thinks about tradition and reflects on tradition, which is his greatest contribution to current calligraphy. His calligraphy is the reform and opening up and the great rejuvenation of the Chinese nation It is a new creation in the development of Chinese calligraphy since the tradition. It shows that the calligraphy art of the quintessence of China has not declined and is still full of sustained and vigorous vitality. " People's art network commented on Gao Mingzhu's calligraphy in the report "feeling the profound heritage - People's artist Gao Mingzhu's calligraphy appreciation": "In Mr. Gao Mingzhu's works, the coherent method of applying martial arts, a large amount of male ink, like wind and electricity, is made in one stroke. When applying ink, people are dazzled and confused about its track, but after concentrating and gathering Qi, they realize the power of its set pattern. Mr. Gao Mingzhu's pen and ink are powerful, the font is vigorous and flying, and the font is broad and frustrating, which can express the moral cultivation of a broad mind. First look at the overallfeeling of the work, and then look at the details, the composition changes, the structure is exaggerated, and the shades Appropriate, so that there are more rhythmic and rhythmic changes in the visual impact. Mr. Gao Mingzhu's works reflect the deep-rooted background of his calligraphy, and show the natural and unrestrained literati of his calligraphy. The combination of temperament and Dharma is harmonious, showing a wonderful beauty. Mr. Liu is natural and unrestrained, but not shallow. He shows tension, keeps away from frivolity, has law and degree, and is free and romantic, as easy as clouds and smoke, which is quite pleasing to the eye. There is a unique expression of thickness and three-dimensional, and words can protrude on the paper, with great spatial texture! This is a calligraphy spectacle with the mutual blessing of sensibility and rationality. Such calligraphy works can decorate the barrier of thousands of families and become the witness of Mr. Wang's praise in the calligraphy world. "

Mr. Gao Mingzhu is one of the first national top ten Mao calligraphers in 2008, moved China's top ten art pride in 2009, and the second top ten artists of the year with the most Internet popularity in China in 2011. In 2012, CCTV vanguard China vanguard reception hall made a 30 minute special report on the topic of "son of the East · Gao Mingzhu"; In 2013, in order to commemorate the 120th anniversary of Chairman Mao's birthday, 120 calligraphy works were successfully exhibited at the China Millennium Monument World Art Museum, and the celebrity dialogue column made a 20 minute special report; In 2015, Tianjin People's Fine Arts Publishing House published and distributed 2000 copies of Gao Mingzhu'sDahongpao album, a collection of calligraphy by famous Chinese modern and contemporary masters, distributed by Xinhua bookstores nationwide. It was awarded "China Intangible Cultural Heritage publication" by China Intangible Cultural Heritage Office and "China Intangible Cultural Heritage inheritor" by Gao Mingzhu; China Intangible Cultural Heritage Art Committee named "Gao Mingzhu Dahongpao masters studio" after "calligraphy collection of Chinese modern masters"; In 2017, Guangdong Radio and television station's Gu Yun Jin Tan column made a special report under the title of "Gao Mingzhu, a famous Chinese calligrapher"; Calligraphy works in 2018 were presented to the prime minister's office of the Kyrgyz Republic for collection as a national gift. An exclusive interview with people's Daily's ancient and modern column characters made a 10 minute special report with the title of Gao Mingzhu "following the charm of the ancients and opening a new era"; In 2019, the qualification certification of the art development center of the Ministry of culture: "famous contemporary calligrapher", and the professional art committee of the Sinology culture and art center decided to officially Award: Gao Mingzhu "Sinology master". In 2020, Xinhua's report was titled by Gao Mingzhu, a famous Chinese calligrapher, "the flying fonts follow the charm of the ancients, and the smooth lines open a new trend of the times"; In 2021, Gao Mingzhu's calligraphy works were registered by the National Copyright Administration of the people's Republic of China. The working committee of Lanting font library project decided that Gao Mingzhu's font was included in Lanting font library and named "Lanting Gaoming column". Gao Mingzhu wasspecially invited to be the font designer of "Lanting Gaoming column". On August 17, Time magazine reported that in the perspective of transnational cultural communication, Gao Mingzhu, the representative of China's national artistic image in 2021, "Lanting Gaoming column" appeared in Lanting font. The quality news of the people's daily was reported by Gao Mingzhu's "comments on the natural and elegant calligraphy art and techniques"; "2021 art inheritor" was awarded by the China Federation of literary and art circles, and cultural tourism China reported with"a special issue of the centenary of the founding of the Communist Party of China · appreciation of the works of artist Gao Mingzhu" and "promoting Chinese culture and transmitting Chinese voice · Gao Mingzhu, a master of Chinese art"; In March, 2022, he was appointed as the art consultant of the new era culture and art talent center by the culture and art talent center of the Ministry of culture and the China Federation of literary and art circles. In May, he won the Nobel International Art Prize and was awarded the "peak figure of international art and honorary doctorate degree of the Royal Swedish Academy of fine arts".

Mao Zedong's calligraphy work "Qinyuan spring snow" is engraved on the new Great Wall in Badaling, China. His works are included in "decision making china.com · database of Chinese influential figures", "welcoming the 20th National Congress · model of national art in the new era", "Yearbook of the people's

Republic of China", "Yearbook of Chinese art", "selected works of Chinese art", "biographies of artists", "culture monthly", "art life", "giant of the calligraphy world", "never forget the original heart", "impression of Hong Kong", "collection of theForbidden City", "people's art", "art heritage", "great powers", "gold medal artists""Masters of national rites", "history of contemporary Chinese calligraphy", "masters of Chinese art genres", "Chinese art treasures", "masters of contemporary national art", "moving the world's art giants", "handed down classics · master style", "art inheritance · appreciation of Chinese celebrity calligraphy and painting works", "a generation of Fangjia · art appreciation of nine famous artists", "World Palace level art masters · 20 palace level artists that children should know in their lives""Complete works of Chinese handed down poetry, calligraphy and painting", "Chinese art sage · Qigong, Gao Mingzhu double collection", "new China Poetry classic", "300 new China Poetry", "300 new China Sinology", etc.