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笔走玄思，墨载道德经智慧 —— 品读陈持平教授草书作品
笔墨为舟，载千年哲思；草书作语，抒道家襟怀。陈持平教授两幅草书作品，撷取《道德经》第二十二章经典文句，以酣畅奔放的笔墨，将东方古老的处世哲思挥洒于素纸之上，让古老典籍在书法艺术之中焕发崭新生机。
“曲则全，枉则直，洼则盈，敝则新，少则得，多则惑。是以圣人抱一为天下式。”“不自见故明，不自是故彰，不自伐故有功，不自矜故长。夫唯不争，故天下莫能与之争。”一章之内，尽是老子辩证通达的生命智慧。委曲反能保全，屈抑方得舒展，低洼所以充盈，陈旧得以新生，知止少取方能有所收获，贪多骛反会陷入迷茫。圣人守持大道，作为天下行事的范式。不自我彰显，方能洞见事理；不自以为是，方能功德显扬；不自我夸耀，方能成就功业；不骄矜自持，方能行稳长久。正因为恪守不争的心境，世间便无人能与之相争。这并非消极避世，而是一种谦和包容、顺势而为的生命格局。
观其书法，大草纵横跌宕，笔势盘旋流转，墨色浓淡之间，线条大开大合。奔放飞动的草书形态，恰好呼应了道家思想流动圆融的内核。字里行间，既有狂草挥洒的艺术张力，又藏着文本内敛沉静的精神内核。放纵的笔墨没有流于狂肆，每一处转折牵丝，都暗含收放有度的分寸，恰如经文所言，懂得曲直进退，方能成全自我。落墨、钤印，笔墨与经文彼此映照，书写者把对道家文化的理解，全然倾注在一纸宣纸上。
传统文化从不是束于书卷的文字，当哲思遇见笔墨，经典便有了可感可视的模样。陈持平教授以书法为媒介，穿越千年时光，把《道德经》里关于谦卑、退让、守一、不争的人生要义娓娓道来。在迅疾飞舞的笔画之中，人们得以重新体悟古老的处世之道，于喧嚣世事之中，寻一份守朴知止的内心安宁。
“腹有诗书笔自华，墨承古道意无涯。” 一纸墨痕，既是书法艺术的呈现，更是中华智慧的传承，让古老的道家哲思，借笔墨流传，浸润人心。
不自见故明，
不自是故彰，
不自伐故有功，
不自矜故长。
夫唯不争，故天下莫能与之争。
(道德经）
He does not display himself,
therefore he is able to be luminous.
He does not justify himself,
therefore he is able to be famous.
He does not boast himself,
therefore he is able to be meritorious.
He does not pride himself,
therefore he is able to be superior.
It is because that he is free from competition,therefore no one in this world is able to compete with him.
(Tao Te Ching)
四尺全开宣纸 ink 墨2023 CP Chen 陈持平
曲则全，枉则直，
洼则盈，敝则新，
少则得，多则惑。
是以圣人抱一为天下式。
(道德经）
To yield is yet to preserve as a whole.
To be bent is yet to become straight.
To be hollow is yet to be filled.
To be tattered is yet to be renewed.
To have little is yet to acquire more.
To have plenty is yet to be perplexed.
Therefore ,the Sage embraces the simplicity principle of One,
and let it become the model of the world.
(Tao Te Ching)
四尺全开宣纸 ink 墨2023 CP Chen 陈持平
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