北京
这件陶俑头戴饰有珠子的额带，袒胸露足，耸肩着裤。他左臂夹扁鼓，右手执鼓槌，作击打状。其表情和姿态幽默夸张，宛如生动的俳优表演。
This ceramic figure wears a beaded headband, bares his chest and feet, and shrugs his shoulders while wearing trousers. He holds a flat drum in his left arm and a drumstick in his right, poised to strike it. His expression and posture are humorously exaggerated, resembling a live comedic performance.
汉代的滑稽演员常以幽默、讽喻和即兴表演取悦他们的主人，边击鼓边歌唱。史料记载，他们深受帝王、贵族及富户的喜爱，常见于汉画像石和陶俑中，有时赤膊伴以乐舞杂技。
Comedians during the Han Dynasty entertained through humor, satire, and improvisation, often drumming and singing for their masters. Historical records indicate their popularity among emperors, nobles, and the wealthy. They frequently appeared in Han stone reliefs and pottery figurines, sometimes shirtless and accompanied by music or acrobatics.
边说边唱的表演形式在汉代民间亦广泛流行。这件陶俑乡土气息浓厚，是此类艺术的杰出代表。四川东汉墓中多有类似陶俑出土，说明当时“说唱”表演在该地区尤为盛行。
Storytelling through song and narration was also widely popular among Han commoners. This ceramic figure, with its strong folk style, exemplifies this tradition. Similar finds in Eastern Han tombs in Sichuan suggest such performances were especially prevalent there.
责编：勾晓庆
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