王易罡个展即将启幕｜以“悬吊绘画”打破艺术枷锁，探寻自由边界

王易罡 个人展

Wang Yigang Solo Exhibition

展览信息

展览名称：空气罐头-颜料ICU

展期：2025.06.20-2025.07.20

开幕式：2025.06.20 15:00

展览时间：10:00-18:00

地址：沈阳市和平区十一纬路10号花旗美术馆

Exhibition Information

Exhibition Name: Air Can - Pigment ICUExhibition Period: June 20, 2025 - July 20, 2025Opening Ceremony: 15:00, June 20, 2025Exhibition Hours: 10:00 - 18:00Address: No. 10, Shi Yi Wei Road, Heping District, Shenyang

当艺术沦为视觉经验与传统范式的囚徒，一场关乎自由与反叛的革命正在悄然酝酿。艺术家王易罡即将携其极具颠覆性的“悬吊绘画”创作实践，于沈阳花麒美术馆举办个人艺术展，以“解构与重生：身体叙事下的艺术革命”为主题，向艺术界发起一场震撼灵魂的宣言。

When art becomes a prisoner of visual experience and traditional paradigms, a revolution about freedom and rebellion is quietly brewing. Artist Wang Yigang is about to launch his highly subversive creative practice of "Suspended Painting" at a solo art exhibition titled"Deconstruction and Rebirth: The Artistic Revolution under Bodily Narrative"at Shenyang Huaqi Art Museum. This exhibition serves as a soul-stirring manifesto to the art world, challenging conventional norms through his revolutionary exploration.

在王易罡的艺术世界里，“空气罐头”不仅是意象符号，更隐喻着被知识体系禁锢的创作生命力。他以打破常规的勇气，将身体转化为最具力量的“画笔”。在“悬吊绘画”系列作品中，艺术家主动摒弃视觉主导的创作逻辑，以“无目视创作”的激进方式，让身体在重力牵引下与颜料、空间展开即时对话。飞溅的色点、流淌的油迹、交错的色块不再是刻意设计的产物，而是潜意识与身体记忆的本能释放，每一道痕迹都成为挣脱艺术枷锁的鲜活印记。

In Wang Yigang's artistic universe, "Air Can" is not merely an iconic symbol but a metaphor for creative vitality imprisoned by knowledge systems. With the courage to break conventions, he transforms the body into the most powerful "brush." In hisSuspended Paintingseries, the artist deliberately abandons vision-dominated creative logic, adopting the radical approach of "sightless creation"—allowing the body to engage in immediate dialogue with pigments and space under the pull of gravity. Splattering color dots, flowing oil traces, and interlacing color patches are no longer products of deliberate design but instinctive releases of subconsciousness and bodily memory. Every mark becomes a living imprint breaking free from artistic shackles.

区别于传统艺术创作对视觉结果的执着，王易罡更强调创作的“当下性”。这种理念恰似禅学中“活在当下”的智慧——放弃固有绘画方式，拒绝理性与经验的桎梏，让艺术回归情感与生命的原始震颤。他的每一次颜料挥洒，都是对创作本质的纯粹回归，是身体与艺术空间的深度共舞。“唯有放下知识、文化与既有的一切，方能触及最本真的表达。”王易罡的艺术宣言，深刻彰显着对“惯性经验”的审慎态度。这种突破常规的创作理念，使他的作品突破西方抽象表现主义的固有框架，将中国禅宗“无执”思想融入艺术创作。在他的认知里，画布不仅是颜料的载体，更是生活留下的印记；身体也不再局限于创作者本身，而是成为艺术媒介的自然延伸。

Distinct from traditional art’s obsession with visual outcomes, WangYigang emphasizes the "immediacy" of creation. This philosophy mirrors the Zen wisdom of "living in the present"—abandoning fixed painting methods and rejecting the fetters of reason and experience to allow art to return to the primal tremors of emotion and life. Each of pigment in his work is a pure regression to the essence of creation, a profound duet between body and artistic space."Only by letting go of knowledge, culture, and all that is pre-existing can one touch the most authentic expression." Wang Yigang's artistic manifesto profoundly reflects his cautious attitude toward "habitual experience." This unconventional creative philosophy enables his works to transcend the established frameworks of Western abstract expressionism, integrating the Chinese Zen concept of "non-attachment" into artistic creation. In his view, the canvas is not merely a carrier for pigments but an imprint of life itself; the body is no longer confined to the creator but becomes a natural extension of the artistic medium.

在胜利 V 系列中，王易罡以重复性书写为利刃，精准切割固有创作经验的枷锁，让随机性表达从艺术边缘跃至舞台中央，成为生命在场的鲜活见证。他的创作不再局限于视觉层面的二维呈现，而是以“行动抽象” 为桥梁，巧妙打通东方哲学与西方艺术语言的壁垒，构筑起两者交融共生的独特场域。每一次充满张力的创作实践，都是他向艺术界发出的宣言 —— 自由绝非遥不可及的乌托邦，而是艺术创造的本质内核。王易罡以颠覆性的探索，为当代艺术注入全新的思考维度，指引着后来者突破藩篱，追寻创作的无限可能。本次展览将立体呈现其艺术实践的演变脉络：绘画中抽象笔触的肆意迸发、装置作品的多维叙事、现成品的观念重构，与空间场域的沉浸式营造相互激荡，共同构建出充满哲思的艺术现场。在这里，观众将面终极叩问——当身体取代画笔成为媒介，当艺术挣脱视觉逻辑的枷锁，自由的边界将如何被重新定义？

In theVictory V Series, Wang Yigang employs repetitive writing as a blade to precisely sever the shackles of ingrained creative experience, elevating random expressions from the margins of art to its central stage as vivid testimony to the presence of life. His practice no longer remains confined to two-dimensional visual representation; instead, takingAction Abstractionas a bridge, he ingeniously breaks down the barriers between Eastern philosophy and Western artistic languages, constructing a unique field where the two intermingle and coexist. Each tension-filled creative act serves as his manifesto to the art world—freedom is not an unattainable utopia, but the essential core of artistic creation. Through his subversive exploration, Wang Yigang infuses contemporary art with fresh dimensions of thought, guiding successors to break through constraints and pursue the boundless possibilities of creation.This exhibition will offer a multidimensional presentation of his artistic trajectory: the unrestrained outbursts of abstract brushstrokes in painting, the multidimensional narratives of installation works, the conceptual reconstruction of ready-mades, and the immersive construction of spatial fields intertwine and resonate, collectively forming a philosophical art scene. Here, audiences will confront the ultimate question: when the body replaces the brush as a medium, and when art breaks free from the shackles of visual logic, how will the boundaries of freedom be redefined?

文/李小暖