民宿酒店案例 | 隐入乡野 · 息心庐：竹影里寻得自在、枕山听泉望峰息心

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一、项目背景 | RESIDENTIAL DESIGN

安吉的乡村静谧祥和，街道上行人稀少，偶尔可见几个老人和孩子缓缓独行，仿若引领着人们踏入远古的江南画卷。正是在这一瞬间，我深深沉醉于这里的山水与村庄之中。或许是源于内心深处的怀旧情感在悄然涌动，又或许是长久的城市生活让我对自然与乡村充满了向往。当我不经意间遇见息心庐的那些夯土老屋时，仿佛被一股无形的力量深深吸引，瞬间穿越回那宁静美好的童年时光。

安吉县山川秀丽，一山一水间，民宿零星点缀。天荒坪镇横路村被群山包围，既有山水清流的灵秀，也有江南水乡小桥流水人家的古朴神韵，民宿息心庐便座落其间。

The countryside of Anji is peaceful and serene. There are few people on the streets. Occasionally, a few elderly people and children can be seen walking slowly, as if leading people into the ancient Jiangnan painting. It was at this very moment that I was deeply intoxicated by the mountains, waters and villages here. Perhaps it is the deep nostalgia in my heart that is quietly surging, or perhaps it is the long-term urban life that has filled me with yearning for nature and the countryside. When I happened to come across those rammed earth old houses in Xi Xin Lu, I was deeply attracted by an invisible force and instantly transported back to those peaceful and beautiful childhood days.

Anji County is surrounded by beautiful mountains and rivers. Among the mountains and rivers, homestays are scattered here and there. Henglu Village in Tianhuangping Town is surrounded by mountains. It combines the elegance of clear waters and streams with the ancient charm of small Bridges, flowing water and houses in the water towns of the south of the Yangtze River. The homestay Xixinlu is located here.

二、设计理念 | RESIDENTIAL DESIGN

息心庐这一名称源自南朝安吉籍诗人吴均在《与朱元思书》中所写：“鸢飞戾天者，望峰息心；经纶世务者，窥谷忘反。”其寓意在于为人们提供一个从纷扰尘世中抽身，让心灵得以休憩的场所。该民宿由村中的几栋老屋改造而来，与山势巧妙融合。它完好地保留了房屋原本的布局以及原建筑中的夯土墙，并且在房屋周边引入大面积裸岩山体，重现了安吉乡村的原始风貌。

大概因为是沿着山势而建，每栋房子都有不同高度的地坪。同时又在房子前砌上宽阔的观景平台，将大地有序地划分，形成一个个独立又紧密联系的庭院。院中两条小溪穿流而过，清澈见底，凭窗而望，可以看到溪水自山上涓涓而下。此外，这里还保留了原址所有的古树木，只对裸露地皮进行了铺设，辅以鲜花点缀。砌土石为墙，引竹林入房，息心庐整体上给人以返璞归真的气质。而每幢房屋原来门楣上古朴的题字，又恰好成了房间的名字。在此，住客仿佛与理想中的原始村落打了个照面。

The name "Xixinlu" originated from what Wu Jun, a poet from Anji during the Southern Dynasties, wrote in his letter to Zhu Yuansi: "The kite that soars against the sky, looks at the peak to calm the heart." Those who manage the affairs of the world will forget to rebel even when they see the grain. Its implication lies in providing people with a place to withdraw from the hustle and bustle of the mundane world and allow their souls to rest. This homestay was transformed from several old houses in the village and blends seamlessly with the mountain terrain. It has perfectly preserved the original layout of the house and the rammed earth walls in the original building, and introduced large areas of bare rock mountains around the house, recreating the original appearance of Anji's rural areas.

Probably because they are built along the mountain slope, each house has a floor of different heights. At the same time, a wide viewing platform was built in front of the house, dividing the land in an orderly manner to form independent yet closely connected courtyards. Two small streams flow through the courtyard, crystal clear. Looking out of the window, one can see the water trickling down from the mountain. In addition, all the ancient trees on the original site have been preserved here. Only the exposed land has been paved and decorated with fresh flowers. The walls of Xi Xin Lu are made of earth and stone, and bamboo forests are led into the houses. As a whole, it gives people a sense of returning to nature and simplicity. And the ancient inscriptions on the lintels of each house happened to become the names of the rooms. Here, the guests seem to have come across an ideal primitive village.

三、空间调性 | RESIDENTIAL DESIGN

该民宿由12栋房屋构成，然而仅设置了18间客房，把更多空间分配给了公共区域。每一栋房屋依据自身所处的环境特色，都被赋予了一个独特的名字，并且在底层规划设计了超大的休闲空间。

为了增强入住的舒适程度，每栋建筑在二层均增开了玻璃长窗。如此一来，在这里便出现了新材料与老建材的碰撞和融合。通透明亮的玻璃、亚光黑色轻钢和夯土墙、黑瓦、老树相互映衬，共同构成了全新的建筑风格。自然景致堪称最好的装饰，屋内梁架高高挑空，屋顶被改造成多重檐，借助空隙能够将柔和的晨光引入屋内，同时借助一扇扇窗户巧妙地模糊了自然与人工的界限。

This homestay consists of 12 houses, but only 18 guest rooms are set up, allocating more space to the public areas. Each house is given a unique name based on its own environmental characteristics, and a super-large leisure space is planned and designed on the ground floor.

To enhance the comfort of the stay, each building has added long glass Windows on the second floor. As a result, here emerges the collision and integration of new materials and old building materials. The transparent and bright glass, matte black light steel, rammed earth walls, black tiles and old trees complement each other, jointly forming a brand-new architectural style. The natural scenery is the best decoration. The beams inside the house are high and spacious, and the roof has been transformed into multiple eaves. Through the gaps, the soft morning light can be introduced into the house. At the same time, the Windows skillfully blur the boundary between nature and artificiality.

开放式的空间设计，挑高的手法，大量的原木横梁与土夯墙，再搭配中式风格的条案、水墨画和雅致的装饰，显得格外高贵与气派。客房风格有原始的粗犷，却也有藏不住的精致。古典山水画装点着白墙，独特的花艺在光影中投射出曼妙的影子，还有些雅致的小物件被安放在房间的各个角落。部分裸露的夯土墙，就像一幅精致的画被裱在大片的白墙中。轻触墙壁，还会有黏土的粗糙感，这是一种浑融内敛的气质，是岁月留下的痕迹。

The open space design, the high ceiling technique, a large number of wooden beams and rammed earth walls, combined with Chinese-style long tables, ink-wash paintings and elegant decorations, makes it particularly noble and imposing. The guest room style has a primitive ruggedness, yet it also has an uncontainable refinement. Classical landscape paintings adorn the white walls, unique floral arrangements cast graceful shadows in the play of light and shadow, and some elegant small items are placed in various corners of the room. The partially exposed rammed earth wall is like a delicate painting framed in a large white wall. When you gently touch the wall, you will still feel the roughness of the clay. This is a kind of harmonious and reserved temperament, a mark left by the passage of time.

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