Coconut Crab，澳大利亚新南威尔士州

来源：设计先锋队（ID:toot8448）

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Coconut Crab is an environmentally regenerative ceramic studio which offsets its embodied energy by 149 times over a 50 year assessment. It is designed in collaboration with the client, Casa Adams Fine Wares and landscape architect Jason Monaghan in the backyard of Casa Adam's family home in Inner West Sydney. Casa Adam's aim is to encourage preservation and curiosity of marine life through meticulously painted, hand-made porcelain plates. The biggest example being the giant tiled Coconut Crab climbing the facade. The studio design flexibly caters to ceramic production, educational workshops and business administration. It is located to the rear of the site, across from their existing family home. The dwellings equally share a thriving native landscape which supports vulnerable endemic frog, bird and insect species and an edible garden. The strategic planning and placement was further complemented by the use of recycled materials, recycled double glazed doors and windows, along with a highly insulated and an airtight building envelope and HRV system. This ensures the users have a comfortable and durable working environment which can be easily readapted for future uses such as a secondary dwelling.

Coconut Crab 是一个环保再生的陶瓷工作室，在 50 年的评估中，它将其隐含能源抵消了 149 倍。它是与客户 Casa Adams Fine Wares 和景观设计师 Jason Monaghan 合作设计的，位于 Casa Adam 位于悉尼内西区的家中的后院。Casa Adam 的目标是通过精心绘制的手工瓷盘来鼓励对海洋生物的保护和好奇心。最大的例子是爬上立面的巨大平铺椰子蟹。工作室设计灵活地满足陶瓷生产、教育研讨会和企业管理的需求。它位于场地的后方，对面是他们现有的家庭住宅。这些住宅同样共享繁荣的原生景观，支持脆弱的特有青蛙、鸟类和昆虫物种以及可食用花园。通过使用回收材料、回收的双层玻璃门窗，以及高度绝缘和气密的建筑围护结构和 HRV 系统，进一步补充了战略规划和布局。这确保了用户有一个舒适耐用的工作环境，可以很容易地重新适应未来的用途，例如二次住宅。

Coconut Crab is a studio for Casa Adams Fine Wares in the backyard of their family home in Inner West Sydney. Their aim is to wonder and astound with stories from the seas: from the incredible biodiversity found underwater to the people who made it their life's work to study them. Through their hand-made porcelain plates, which are meticulously painted to reflect real specimens, they ignite curiosity about marine life so it may influence conservation efforts. This is showcased through their hosting of regular educational workshops and open studios, alongside marine biologists, to their large global following. They also donate 5-10% of their profits to environmental organisations.

Coconut Crab 是 Casa Adams Fine Wares 的工作室，位于悉尼内西区的家后院。他们的目标是用来自海洋的故事来惊奇和震撼：从水下发现的令人难以置信的生物多样性，到以研究它们为毕生事业的人们。通过手工制作的瓷盘，这些瓷盘经过精心绘制以反映真实标本，他们点燃了人们对海洋生物的好奇心，从而可能影响保护工作。这体现在他们定期举办教育研讨会和开放工作室，与海洋生物学家一起，向全球的大量追随者展示。他们还将 5-10% 的利润捐赠给环保组织。

Already, Casa Adams Fine Wares have hosted workshops and an open studio in Coconut Crab, enabling the public to enter the workspace and network with other like minded community members. A passive connection between the studio and family home is maintained through the garden. It acts as an intermediate shared space which can be utilised by all people living and/or working on the site.

Casa Adams Fine Wares 已经在 Coconut Crab 举办了研讨会和开放工作室，使公众能够进入工作区并与其他志同道合的社区成员建立联系。工作室和家庭住宅之间的被动连接通过花园保持。它充当一个中间共享空间，可供所有在现场生活和/或工作的人使用。

After ASA’s suggestion to create facade tiles from within the studio, Casa Adams quickly settled on a Coconut Crab as it would be a brilliant species for education. It is the largest terrestrial crab, measuring up to 1m wide, can climb trees to reach for food, has high intelligence and can live up to 60 years. Coconut crabs are listed as Vulnerable and whilst they thrive in remote and unpopulated islands across the Indo-Pacific, they are at risk from being overharvested by humans and threatened from climate change. There are regulations to help protect coconut crabs, although the specifics are determined by each country. The best way we can promote this specie is by reducing consumption but also by sharing its wonders so more people are motivated to conserve it.

在 ASA 建议在工作室内创建外墙瓷砖后，Casa Adams 很快就选择了椰子蟹，因为它将是一种出色的教育物种。它是最大的陆生螃蟹，宽达 1 米，可以爬树觅食，智力高，寿命可达 60 岁。椰子蟹被列为易危物种，虽然它们在印太地区偏远和无人居住的岛屿上茁壮成长，但它们面临着被人类过度捕捞和气候变化威胁的风险。有一些法规可以帮助保护椰子蟹，但具体细节由每个国家/地区决定。我们推广这种物种的最佳方式是减少消费，但也通过分享它的奇迹，这样更多的人就有动力保护它。

The site is zoned for multi-residential housing, however, the clients were not eager to capitalise on this, as they wanted to maintain the quaint character of the street and biodiversity on the site providing respite for surrounding dwellings. Positioning the studio to the rear of the site under the large existing tree and orientated towards the garden, reduces overlooking into the studio and rear yard from neighbouring multi-residential buildings and maximises the site permeability and biodiversity regeneration.

该地块被划为多住宅住宅，然而，客户并不急于利用这一点，因为他们想保持街道的古朴特色和该地块的生物多样性，为周围的住宅提供喘息的机会。将工作室放置在场地后部的现有大树下，面向花园，减少了从邻近的多住宅建筑对工作室和后院的俯瞰，并最大限度地提高了场地的渗透性和生物多样性的再生。

The downstairs of the studio has a large central table for creating, painting, glazing ceramics and workshops. A wall of reused ply shelving acts as drying space and a recycled sink bench top makes clean up easier. The upstairs light penetrating aluminium flooring houses space for additional painting, administration, packing and product photography. The work space overlooks the garden with passive surveillance back to the family home, creating distance between work and home and enabling greater public engagement. In future, the high performance space can easily be adapted to house extended family members or be rented out, adding additional housing stock to Inner West Sydney.

工作室的楼下有一个大型中央桌子，用于创作、绘画、给陶瓷上釉和作坊。一堵由重复使用的层状搁板组成的墙作为干燥空间，回收的水槽台面使清理工作更容易。楼上的光线穿透铝制地板为额外的油漆、管理、包装和产品摄影提供了空间。工作空间俯瞰花园，对家庭住宅进行被动监控，在工作和家庭之间拉开了距离，并促进了公众的参与。未来，这个高性能空间可以很容易地改造成大家庭成员的住所或出租，为悉尼内西区增加更多的住房存量。

Through the design being built using Passive House principles and utilising passive solar design principles, users get to experience a high degree of thermal comfort throughout the year whilst having a small carbon footprint and operational costs. This was complemented by dematerialisation strategies, recycled materials and a large native and edible landscape.

通过使用被动式房屋原则和被动式太阳能设计原则建造的设计，用户可以全年体验到高度的热舒适性，同时碳足迹和运营成本低。此外，还有去物质化策略、回收材料和大型本地和可食用景观。

The studio is 100% electric, including the two energy intensive kilns used to fire ceramics. A 7kW solar system is being installed to the existing dwelling as more roof space is available to maximise solar collection and offset their electricity usage in the home and in the studio. Energy produced by the on site solar panels estimated to meet 85% of demand from the studio operations, including the kilns (8400kWh produced vs 9864kWh consumed).

工作室是 100% 电动的，包括两个用于烧制陶瓷的能源密集型窑炉。现有住宅正在安装一个 7kW 的太阳能系统，因为有更多的屋顶空间可用于最大限度地收集太阳能并抵消他们在家中和工作室的用电量。据估计，现场太阳能电池板产生的能源可以满足工作室运营（包括窑炉）的 85% 需求（生产 8400kWh vs 消耗 9864kWh）。

The project focused on dematerialisation strategies such as exposing the upper floor structure, stairs and handrail LVLs, no additional finishes and exposing services. The efficient two-storey square shape also meant maximum floor area was achieved with minimal building envelope materials.

该项目侧重于非物质化策略，例如暴露上层结构、楼梯和扶手 LVL，无需额外的饰面和暴露服务。高效的两层方形也意味着以最少的建筑围护结构材料实现了最大的建筑面积。

The minimal depth of the dwelling and perforated upper floor allows greater cross ventilation and access to light from yard. The HRV system and ceiling fan also provides low energy ventilation. Its position under the large tree protects the studio from solar heat gains from the overhead summer sun. The South facing solar skylight enables hot air to be exhausted and provides additional light. Large highlight glazing to the North filters light deep into the studio throughout the day. And despite its Western orientation to the yard, the overhead tree, external blind and high performance design combats the harsh afternoon sun.

住宅的最小深度和多孔的上层允许更大的对流通风和庭院的光线。HRV 系统和吊扇还提供低能耗通风。它位于大树下，保护工作室免受头顶夏日阳光的太阳热量影响。朝南的太阳能天窗可以排出热空气并提供额外的光线。北面的大型高光玻璃全天将光线过滤到工作室深处。尽管它朝向西侧的院子，但高架树、外部百叶窗和高性能设计与午后刺眼的阳光相得益彰。

项目团队：
建筑师：Alexander Symes
客户、建筑商、合作者：Casa Adams Fine Wares
景观设计师，合作者：Jason Monaghan
摄影师：Barton Taylor

▲平面图/立面图（请左右滑动查看）

编辑：Pioneer

撰文:豆宝宝

校改：吴一仁

编排：蚂蚁工兵

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