Luce e design 设计美学展Ⅲ：穹顶之下，光不曾离去

“连接、交流、可持续——这是设计美学展始终秉持的核心价值。为了赋予这些原则以形式和意义，Luce e design 设计美学展Ⅲ将从艺术和自然中汲取灵感，在开放与封闭之间建立起紧密的平衡，并以光线将一切与遥远的宇宙能量连接起来。”

——Jean-Jacques Lanzo

"Connection, Exchange and Sustainability are the core values of the Design Aesthetics Exhibition. To give shape and meaning to those principles, Luce e design Design Aesthetics Exhibition Ⅲ has drawn from art and nature to establish structures and spaces in the tight balance between openness and enclosure, with light connecting everything to the distant energy of the cosmic world."

—Jean-Jacques Lanzo

你可曾记得踏入展区那一瞬的悸动？古希腊人深信，联结是万物的纽带，交流是灵魂的回响，而恒续则是自然亘古的韵律。赫西俄德在《神谱》中低吟：“万象皆有其序，光影交错，天地相衔。”两千余载后的这个六月，在广州，我们以光为笔，以空间为卷，重新铺陈了这部关于联结、对话与永续的视觉诗篇。而你，既是这首长诗的读者，亦是其作者。

Do you recall that moment of quiet awe when you first stepped into the space? The ancient Greeks believed that connection was the sinew of all things, exchange the resonance of the soul, and sustainability the eternal pulse of nature. As Hesiod sang in hisTheogony: “All things have their order—light and darkness alternate, heaven and earth are interwoven.” More than two millennia later, this June in Guangzhou, we took up light as our instrument and space as our canvas, and rewrote that ancient visual epic of connection, exchange, and endurance. And you—you were not merely a reader of that poem; you were its co-author.

“我想用雕塑的形式让空间变得不同。”——理查德·塞拉

若你曾驻足于理查德·塞拉那巨硕的钢板之前，你必记得那种奇异的感觉——被钢铁环抱，却又仿佛行走在风的余韵之中。此刻，我们将那份体验移植入展馆的肌理之中。

"I attempt to use sculptural form to make space distinct." — Richard Serra

If you have ever stood before the monumental steel forms of Richard Serra, you will recall that singular sensation—enclosed by iron, yet moving as though within the lingering trace of wind. This time, we have transplanted that very experience into the fabric of the exhibition hall.

那些从地表缓缓抬升的弧形壁面，并非单纯的隔断，而是大地深处涌动而出的力量。它们向心聚拢，又朝四方延展，如一双徐徐张开的巨掌。你穿行其间，每一步都在重新校准你与作品、与空间、与他者的关联。并非你在凝视展览，而是展览在凝视你；并非你在行走，而是地表在引导你的步伐——诚如塞拉所言，空间，由此变得迥异。

Those curved planes rising gently from the ground are not mere partitions, but forces welling up from the earth’s core. They converge inward, yet open outward, like two colossal hands slowly unfurling. As you pass between them, each step reconfigures your relationship with the work, with the space, and with the other. It is not you who observes the exhibition; it is the exhibition that observes you. It is not you who walks; it is the ground that guides your path. And as Serra declared, space is thereby rendered distinct.

在弧线交汇的至点，我们曾筑起一座穹顶。

它并不高悬于上，而就在你的身畔——一处敞亮的、温润的、归属于所有来者的栖聚之所。它隐喻着自然，隐喻着人类与大地最原初的依偎。但若你今岁亲临，便会察觉：穹顶已然消逝。它只余下弧形壁面上数道切口，恍若风的足迹，又似光阴的吻痕。

At the apex where the curves converge, we once raised a dome.

It was not suspended on high, but stood beside you—an open, luminous sanctuary belonging to all who entered. It embodied nature, the most primordial embrace between humankind and the earth. Yet if you visited this year, you would have noticed: the dome is no longer present. All that remains are a few incisions on the curved walls—like the imprint of wind, like the trace of a kiss left by time.

穹顶去往何方？我们未曾将它拆除——它选择了自行隐退，以此昭示：自然并非不朽，荫庇亦非理所当然。那些切口，并非残缺，而是记忆的铭文，是自然留予空间的沉吟。

Where did the dome vanish? We did not dismantle it. It chose to withdraw—to remind us that nature is not eternal, and that shelter is not ours by right. Those incisions are not absences; they are inscriptions of memory, the murmur that nature has left behind for the space.

穹顶隐没之后，空间并未沦为虚无。恰恰相反，它愈发静谧了。

弧形壁面上的那些切口，将光线引入——恍若从大地罅隙间渗出的初光。展品被安放于壁龛式的结构之内，深邃、肃穆，弥散着地下教堂般的庄重气息。你立于其间，呼吸不自觉放缓。光不再是单纯的照彻，它在轻抚每一件器物，亦在轻抚你。

After the dome withdrew, the space did not lapse into emptiness. On the contrary, it grew only more serene.

Through the incisions in the curved walls, light seeps inward—like primordial rays emerging from fissures in the earth. The exhibits are cradled within alcove-like structures, deep and solemn, exuding the quiet dignity of a subterranean cathedral. Standing there, you find your breath slowing of its own accord. Light no longer merely illuminates; it caresses each object, and in turn, it caresses you.

而后，你仰起头。

结构的顶端，蕴藏着一颗光之核心。它不在他处，恰在你头顶不远处——近得足以让你感知它的温度，远得又足以将你与星系相连。灯光在流转，并非闪烁，而是吐纳——明与暗交织，暖与冷交替，恍若一颗遥远的恒星在完成一次寂静的搏动。那一瞬，你不再追问“这是何种灯具”，你只会顿悟：“原来，我正伫立于宇宙之中。”

And then, you lift your gaze.

At the summit of the structure rests a core of light. It dwells nowhere else but just above you—close enough for you to feel its warmth, yet distant enough to bind you to the galaxies. The light does not flicker; it breathes—oscillating between brightness and shadow, warmth and coolness, like a distant star completing a solitary pulse. In that instant, you cease to ask, “What kind of lamp is this?” You simply realize: “So this is what it means to stand within the cosmos.”

展区四面洞开，无门无墙，唯有你随心所欲的路径。

左侧是展览场域，右侧是艺术廊道，前方是论坛区域，回身则是一隅可供静坐的角落。中央立着一株绿植，虽不巍峨，你却总愿绕它徘徊数周——因为每一次转身，光的姿态都已悄然变幻，空间的叙事亦随之更迭。你并非预设的观众，而是此间空间的共谋者。

The pavilion stands open on every side—no doors, no walls, only the paths you choose to follow.

To your left, an exhibition space; to your right, an artistic corridor; ahead, the forum; and should you turn, a quiet alcove for repose. At the center stands a green plant—unassuming in stature, yet you will find yourself circling it again and again. For with each turn, the light shifts, and the story the space tells transforms anew. You are not a preordained spectator; you are an accomplice in the making of this place.

若你今年未能抵达广州，无妨——光依旧在，故事依旧在。那些弧面、切口、光核与绿植，并非仅是展区的构件，它们是我们留给未来的信笺。愿下一次，你能亲临其间，让那些弧面托举你，让那束光寻觅到你。

毕竟，真正动人的空间，从不只为“参观”而生——它等待被“经历”。

If you could not make your way to Guangzhou this year, it matters little—the light endures, and the story awaits. Those planes, incisions, the core of light, and the central tree are not mere architectural elements; they are letters we have left for the future. May you step into their midst next time, let those curved planes bear you up, and allow that beam of light to find you.

For a space of true resonance is never conceived merely to be “visited.” It is meant to belived.

你未曾亲至，但光不曾离去

You May Not Have Come, But the Light Has Not Departed

项目信息

项目名称｜广州国际照明展览会-设计美学展Ⅲ：穹顶之下—光之能量场

展览时间｜2026年6月9日至12日

展览地点｜中国进出口商品交易会展馆B区10.1馆（广州）

项目主办方｜广州光亚法兰克福展览有限公司

联合主办｜Luce e design

策展设计｜Jean-Jacques Lanzo

展陈搭建｜广州嘉牧展览策划有限公司

项目推广｜楽品牌策略机构

PROJECT INFORMATION

Project Name｜Guangzhou International Lighting Exhibition – Design Aesthetics Exhibition Ⅲ: The Celestial Alcoves — Light Energy

Project Date｜9—12 June, 2026

Venue｜Hall 10.1, Zone B, China Import and Export Fair Complex (Guangzhou)

Project Host｜Guangzhou Guangya Messe Frankfurt Co., Ltd.

Co-organizer｜Luce e design

Curator｜Jean-Jacques Lanzo、

Exhibition Construction｜Guangzhou Jiamu Exhibition Planning Co., Ltd.

Project Promotion｜Le Brand Strategy Agency