SI Shorts 社会创新短片评奖结果出炉！

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大奖出炉

获奖作品将选送两大国际赛事

一等奖

《归壤》

作者：周语歆 北皋校区 9年级学生

二等奖

《Liber Timbre》

作者：黄振轩 黄吉瀚 北皋校区11年级学生

杨皓然 北京市鼎石学校11年级学生

三等奖

《成瘾》

作者：王奕博 崔安迪 北皋校区 7年级学生

最佳叙事奖

《Liber Timbre》

作者：黄振轩 黄吉瀚 北皋校区11年级学生

杨皓然 北京市鼎石学校11年级学生

《在IB教育里做孩子成长的同行者》

作者：刘洋 三里屯校区老师

最佳视角奖

《2026鞋盒派送之流浪动物站》

作者：家长于子薇 泉发校区家委会

最佳影像奖

《归壤》

作者：周语歆 北皋校区 9年级学生

社区人气奖

《在IB教育里做孩子成长的同行者》

作者：刘洋 三里屯校区 老师

特别提名奖

《毛茸茸的幸存者——拯救北京的流浪狗》

作者：舒李亚瑟 三里屯校区 5年级学生

社区贡献奖

自我发现奖

蔡尚君

导演、编剧

毕业于中央戏剧学院

导演作品《红色康拜因》(2007) 获第12届釜山国际电影节国际影评人协会奖，第48届希腊塞萨洛尼基国际电影节最佳影片亚历山大金奖，第2届澳洲亚太电影大奖评委会大奖(APSA)。《人山人海》(2011)获第68届威尼斯国际电影节最佳导演银狮奖、法国南特三大洲电影节银热气球奖，第10届海参崴国际电影节最佳影片奖、瑞士黑色电影节评论家最佳导演奖。《冰之下》(2017) 获第20届上海国际电影节最佳男演员奖、入围东京银座电影展竞赛单元、多伦多国际电影节特别展映单元。《日掛中天》（2025）获第82届威尼斯国际电影节最佳女演员奖，入围第50届多伦多国际电影节、第30届釜山国际电影节等。

白一骢

制片人、编剧、导演

毕业于中央戏剧学院导演系

灵河文化创始人兼CEO、中国电视剧制作产业协会副会长兼青年工作委员主任、著名制片人、编剧、导演、出品人、监制、多所知名高校客座教授等。从业经历涵盖影视创作的各个核心环节，是中国早期网络剧市场的开拓者及影视 IP 工业化生产体系的奠基人之一。代表作品有《三体》（电视剧） 、《暗黑者》第一季（网络剧）、《盗墓笔记》（网络剧）、《老九门》（网台同播）、《最美逆行者》、《天行健》（近代传奇剧）等。

吴镇序

北京电影学院摄影系博士、

电影摄影师、导演

作品曾入围莫斯科国际电影节，荣获京都国际学生电影节最高奖、俄罗斯VGIK国际学生电影节最佳纪录片、86358贾家庄短片周最佳影片、IM两岸青年影展麒麟新锐短片、搜狐青幕计划最佳摄影等多项荣誉。

评审小组点评入围获奖作品

《归壤》

你在校园纪录片创作中展现了较为成熟的影像意识。既有对人物的近距离观察，也有对环境、器具、泥土、植物等细节的关注，使一个看似日常的校园实践呈现出清晰的空间感和过程感，是一部个人审美和风格很鲜明的作品。

尤其值得肯定的是，你没有依赖画外音去解释“堆肥是什么”或“可持续为什么重要”，而是让镜头承担了叙事和表达的主要功能。当影像表达大于文本说明时，影像就真正获得了生命力。

影片中青春洋溢的瞬间与“归于尘土”的哲思交织，色调与配乐高度统一，弥漫着哀而不伤的气质。这不仅是一次技法的突破，更是一份关于生命与成长的早慧告白。

《Liber Timbre》

作品的完整性很高，起承转合地展现了一个具体事件，将作者想要阐述的内容主旨清晰地传递给了观者。这部作品最动人的地方在于“真” ，拍出了青春最滚烫的模样——镜头跟随着Liber Timbre主理人从演出筹备中的磕绊到最后舞台上的爆发，让队员们的狼狈与光芒都格外真实。

作者选择从主理人的个人访谈切入，这一点是值得肯定的。影片没有把影片仅仅处理成一次活动记录，而是试图通过主理人的讲述，呈现Liber Timbre背后的理念。

如果能把纯讲述部分和事件过程中的影像资料的比例再调配一下，或许能带给观者更强的融入感。另外，从整体节奏上，在经过较大篇幅的铺陈，当事件发生反转后提供的“燃点”稍显不足，未能完全承托前期成功烘托起来的气氛，略有遗憾。

《成瘾》

你选择了一个贴近当下青少年生活的话题，视角新颖、表达大胆。影片巧妙运用了“桌面电影”的形式，让电子设备的入侵感变得具体可感，剪辑节奏也很有张力，前半部分非常抓人。

如果后半部分能用影像代替文字来表达劝诫，而不是停留在屏幕上的文字说明，影片会更有说服力。成长不是被说教出来的，是被看见、被感受的。你已经迈出了很有力的一步。

《在IB教育里做孩子成长的同行者》

作者从自己的亲身经历出发，诠释了教育的“与你同行，与学生共同成长”。前期的文本搭建较为扎实，使得作品中呈现的事件很完整，且主人公在事件中的成长弧线也很清晰，整体风格给观者一种“娓娓道来”的叙事感。它让我们相信：真正的教育者，是在平淡的日常里，把自己活成了学生身边那束不刺眼的光。

各个阶段的着力相对平均，稍显平铺直叙，如果能在结构上做一些详略取舍，减少通篇的旁白和配乐，让节奏更有起伏，作品会更加动人。

《2026鞋盒派送之流浪动物站》

这是一部短小却准确的作品。从乍看之下平平无奇的“派送”，呈现出流浪动物站的具体面貌。这部短片不依赖旁白讲述，影像自己会显现意义。作品的纪实感较强，画面朴实但有温度有力量，最后的升华也清晰地传递出作者的态度。

如果能在个别动物身上再附着多一些展现，或许能令节奏感更好并且增添更多的人文色彩，从而进一步触动观者。你已经用朴素的个人观察，用影像把救助动物推到公共关怀的高度。

《毛茸茸的幸存者

——拯救北京的流浪狗》

你将镜头对准了城市中容易被忽视的生命，选题本身具有难得的现实关怀与同理心。通过不同身份的受访者，观众对流浪动物问题有了更多维度的了解，这体现了你在前期搭建拍摄结构时的认真思考。

如果未来继续深入这个故事，可以尝试聚焦一只流浪狗的具体命运——从被发现、救助、寄养到重新适应家庭的过程。同时，也可以把镜头更多放在寄养家庭、救助者的日常生活中，让观众透过具体的生命和具体的人，感受到更深的联结与责任。

你的作品已经有了清晰的方向和温暖的情感底色，期待你继续拍下去。

SI Shorts社会创新短片展映入围作品公布啦！

Film Festival Winners Announced!

Award-Winning Films

Selected for Entry into

Two Major International

Competitions

First Prize

In Root

Creator: Arvea Zhou

Ninth Grade Student,

Daystar Beigao Campus

Second Prize

Liber Timbre

Creators: Mcqueen Huang, Jihan Huang

Eleventh Grade Students,

Daystar Beigao Campus

Nathan Yang, Eleventh Grade Student,

Keystone Academy

Third Prize

Digital Addiction

Creators: Andy Wang, Vincent Cui

Seventh Grade Students,

Daystar Beigao Campus

Best Storytelling Award

Liber Timbre

Creators: Mcqueen Huang, Jihan Huang

Eleventh Grade Students,

Daystar Beigao Campus

Nathan Yang, Eleventh Grade Student,

Keystone Academy

Walking Alongside Students

in Their IB Journey

Creator: Mavis Liu

Elementary Teacher,

Daystar Sanlitun Campus

Best Perspective Award

2026 Shoebox Mission:

Supporting a Stray Animal Shelter

Creator: Maria Yu

SPAC, Quanfa Campus

Best Cinematography Award

In Root

Creator: Arvea Zhou

Ninth Grade Student,

Daystar Beigao Campus

Community Choice Award

Walking Alongside Students

in Their IB Journey

Creator: Mavis Liu

Elementary Teacher,

Daystar Sanlitun Campus

Special Mention Award

Furry Survivors

Creator: Arthur Schwartz Leahy,

Fifth Grade Student,

Daystar Sanlitun Campus

Community Impact Award

Self-Discovery Award

Cai Shangjun

Director and Screenwriter, graduated from the Central Academy of Drama. His directorial debut, Red Awn (2007), won the FIPRESCI Prize at the 12th Busan International Film Festival, the Golden Alexander Award for Best Film at the 48th Thessaloniki International Film Festival, and the Jury Grand Prize at the 2nd Asia Pacific Screen Awards (APSA).

His film People Mountain People Sea (2011) won the Silver Lion for Best Director at the 68th Venice International Film Festival, the Silver Balloon at the Festival des 3 Continents in Nantes (France), Best Film at the 10th Vladivostok International Film Festival, and Best Director (Critics’ Award) at the Neuchâtel International Fantastic Film Festival.

The Conformist (2017) won Best Actor at the 20th Shanghai International Film Festival and was selected for competition at the Tokyo Ginza Film Festival and the Special Presentations section at the Toronto International Film Festival.

His latest film, The Sun Rises on Us All (2025), won Best Actress at the 82nd Venice International Film Festival and was selected for the 50th Toronto International Film Festival and the 30th Busan International Film Festival, among others.

Bai Yicong

Graduated from the Directing Department of the Central Academy of Drama, Bai Yicong is the founder and CEO of Linghe Culture, vice president of the China Television Production Industry Association, and Director of its Youth Work Committee. He is also a renowned producer, screenwriter, director, executive producer, and supervising producer, as well as a guest professor at several leading universities.

His career spans every major stage of film and television production. He is widely recognized as a pioneer of China’s early web-drama industry and one of the key architects of the industrialized production model for film and television IP development.

His representative works include the television series Three-Body, the web dramas Death Notify and The Lost Tomb, the simultaneous online-and-television broadcast series The Mystic Nine, as well as Heroes in Harm's Way and Heroes.

Zhenxu Wu

Zhenxu Wu is a cinematographer, director, and PhD candidate in Cinematography at the Beijing Film Academy. His works have been selected for the Moscow International Film Festival and have won numerous awards, including the Grand Prize at the Kyoto International Student Film Festival, Best Documentary at the VGIK International Student Film Festival in Russia, Best Film at the 86358 Jia Village Short Film Week, the Qilin Emerging Talent Award at the IM Cross-Strait Youth Film Festival, and Best Cinematography at the Sohu Youth Film Program.

Jury Comments on the Award-Winning Finalists

In Root

You demonstrate a remarkably mature sense of visual storytelling in this campus documentary. Through close observation of people, as well as careful attention to the environment, tools, soil, and plants, you transform a simple campus composting project into a vivid, textured world. This is a film with a distinctive personal aesthetic and style.

Especially commendable is your decision not to rely on voiceover to explain what composting is or why sustainability matters. Instead, the images carry the story. When visuals speak more powerfully than explanations, cinema truly comes alive.

The film weaves bright, youthful moments together with bittersweet reflections on "all good things return to the earth." The color palette and soundtrack are beautifully matched, creating a mood that is contemplative without being sorrowful. This film is not only a technical achievement but also an unusually insightful meditation on life and growth.

Liber Timbre

The film is structurally cohesive, with a clear beginning, middle, and end. It communicates its core message effectively. What makes this film especially compelling is its authenticity. It captures something raw and real, youth in its most vibrant form: the setbacks leading up to the performance, the exhilaration of stepping onto the stage. Both the struggles and triumphs feel strikingly real.

Choosing to center the film around the organizer's personal story was a smart decision. Rather than presenting the project merely as a record of an event, the film seeks to explore the ideas and values behind Liber Timbre itself.

The balance between interview segments and actual event footage could be refined to create a more immersive experience for viewers. In addition, after a lengthy buildup, the film’s climactic turning point does not fully deliver the emotional payoff that the earlier scenes so effectively prepare, which leaves a slight sense of missed potential.

Digital Addiction

You chose a topic that hits close to home for many young people today. Your perspective is fresh, bold, and timely. The "desktop film" format is a clever way to make the invasive presence of digital devices feel tangible and uncomfortable. The editing had real energy, and the first half is especially engaging.

The film would be even more persuasive if the second half relied more on visual storytelling— showing with images rather than telling via on-screen text—to deliver its message. Growth is not taught through preaching—it is understood through what we see and feel. You've already taken a strong first step.

Walking Alongside Students

in Their IB Journey

Drawing on personal experience, the filmmaker captures the essence of education as a journey of growth—an educator growing alongside their students. The film is grounded in strong narrative development, presenting events in a complete and coherent way while clearly tracing the protagonist’s arc of growth. The overall tone is gentle and reflective—creating the feeling of a story being shared like a quiet, unhurried conversation. The film reminds us that true educators are those who become a steady, unassuming source of light in their students’ lives, warmly accompanying the ordinary moments of everyday life.

Because the pacing is fairly even throughout, with little variation in intensity, the narrative can feel somewhat linear. Greater selectivity in structure—along with less reliance on voiceover and background music—could create stronger shifts in rhythm and make the film even more moving.

2026 Shoebox Mission: Supporting a Stray Animal Shelter

This is a short but precise work. What initially appears to be an ordinary delivery gradually reveals the real conditions of a stray-animal shelter. The film does not rely on narration to explain itself; the images speak for themselves. There is a strong documentary quality to it; the visuals are simple, yet they carry both warmth and quiet power. The ending clearly conveys the filmmaker’s perspective.

Further attention to a few individual animals could strengthen the pacing and add greater emotional depth, making the film even more moving. Through simple, personal observation, you have elevated animal rescue from a personal act to a matter of public care and concern.

Furry Survivors

You turned your lens toward lives that are often overlooked in the city. Your choice of topic itself reflects your social awareness and empathy. Through interviews with people from different backgrounds, you helped viewers gain a multidimensional understanding of the issue of stray animals, demonstrating the thoughtful planning that went into structuring the film.

If you choose to continue developing this story, consider focusing on the journey of a single stray dog—from discovery and rescue, to foster care and eventually adapting to a new home. You might also spend more time observing the daily lives of foster families or rescuers themselves. Through the experiences of specific animals and specific people, the audience might feel a deeper sense of connection and responsibility.

Your film already has a clear purpose and a warm emotional tone. We look forward to seeing where you take it next.

Selectives

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