展览推荐 ｜元响——主玛·以赛尔曼个展亮相中央美院美术馆当代艺术研究中心

CARC 展讯

元响——主玛·以赛尔曼个人作品展

Primordial Echoes--Zhuma Yisaierman Solo Exhibition

地址 Venue

北京市朝阳区酒仙桥路2号798艺术区706北三街

706 North Third Street, 798 Art District, No.2 Jiuxianqiao Road, Chaoyang District, Beijing

时间 Date

2026.03.10-04.07

Date: 2026.03.10-04.07

策展人 CURATOR

王春辰｜Wang Chunchen

艺术家 ARTIST

主玛·以赛尔曼｜Zhuma Yisaierman

开幕 OPENING

2026/03/14/15:00

15:00 (Beijing Time), March 14, 2026

主办 ORGANIZER

中央美院美术馆当代艺术研究中心｜Contemporary Art Research Centre of CAFA Art Museum

协办 CO-ORGANIZER

纽约Memor Museum当代艺术部（中国·北京）｜Memor Museum,New York

澳大利亚新兰威尔士大学当代艺术朱迪斯·尼尔森讲席项目｜UNSW Judith Neilson Chair of The Contemporary Art

展期 DURATION

2026.3.10——4.07

March 10—— April 7, 2026

地点 VENUE

北京798春辰当代艺术研究中心｜Spring-Time Contemporary Art Research Center, 798 Art Zone, Beijing

“元响”起因是一件互动性装置。是由艺术家主玛·以赛尔曼用打击乐原件制作，再经由观众个人行为作为元次方参与，进而产生触动、共振和交响的现场体验后才宣告完成的作品。“元”的语意在当代的延伸，如同主玛所展示的“山水所有制”、“点击乌托邦”、“植物器观”和“放过时间”等系列绘画，数字作品的意指，都体现了他对所处时代及当下问题的深度追问，传达出对生命元初、本体，在特定时期社会现实的重新审视。我们讲艺术、个体和纷杂的社会事实都不是眼见的孤立现象，一方面是对科技未来的畅想和未知，另一方面则是难免存在的意识迷茫和焦虑。在这种情景之下，面对与文明和科技水准总不能匹配的偏执、贪欲、麻木和稚嫩的思维怪圈，就需要在具身性的直觉体验中去感受“元响”；而从更广义的层面看，艺术不是自娱的脂粉或润滑剂，它也可以是能一击社会迷茫意识的“醒棍”。

从艺术语言的层面看，主玛的艺术正如他所言是自己的羽毛，由其特有的认知、信仰和文化基因构成。今天的展览，就是将艺术家的视觉作品呈现给观众，希望在“元响”的刺激和共振中，在听觉与视觉的感官交互中实现在平板视屏上无法实现的原创性超越。因此，以视觉呈现的“元响”作品，也只有在每个观者以自身行为参与的敲击声中才能得以完成。

王春辰

2026年3月7日·北京

Preface

The term "Primordial Echoes" originates from an interactive installation. Created by the artist Zhuma Yisaierman, it is constructed from components of percussion instruments. Its completion relies on the audience's individual actions as a meta-level participation, triggering an on-site experience of vibration, resonance, and symphony.The semantic meaning of "primordial " (Origin/First) extends into the contemporary era. Just as Zhuma's series of paintings and digital works—such as Land Ownership, Clicking Utopia, Plant Organology, and Let Time Pass—engage in deep inquiry into the issues of their time and current social reality, they convey a re-examination of the primal essence of life and its ontology within specific socio-historical contexts.We must understand that art, the individual, and the complex social facts are not isolated phenomena observable by the eye alone. On one hand, there is the imagination and uncertainty of a technological future; on the other hand, there is the inevitable confusion and anxiety of consciousness. In such a context, facing paranoia, greed, numbness, and the naive paradox of thinking that are always incompatible with the level of civilization and technology, there is a need to feel the "Primordial Echoes" through an embodied intuitive experience.In a broader sense, art is not merely powder for self-amusement or a lubricant for society; it can also be a "waking stick" that strikes awake the confused consciousness of the masses.

From the perspective of artistic language, as the artist Zhuma once put it, his art is his own "feathers," composed of his unique cognition, beliefs, and cultural genes. Today's exhibition presents the artist's visual works to the audience, hoping to stimulate and resonate with "Primordial Echoes," achieving an original transcendence that cannot be realized on a flat screen through the sensory interaction of sight and sound.Therefore, the "Primordial Echoes" work, presented visually, can only be completed with the knocking sound of each viewer's personal participation.

Wang Chunchen

March 7, 2026 · Beijing