民宿新经济 · 千年禅寺畔的禅意疗愈居所 | ZEN HEALING RESIDENCE

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民宿新经济是指以民宿为核心，结合旅游、文化、科技等多种元素，通过创新商业模式和服务方式，满足消费者多样化需求的经济发展形态。其主要特征包括：个性化：民宿注重提供独特的住宿体验，满足消费者的个性化需求。本地化：民宿通常结合本地文化、历史和自然资源，打造具有地域特色的住宿场景。共享经济：民宿通过共享闲置资源，实现资源的高效利用。数字化：民宿利用互联网和智能技术，提升运营效率和服务质量。

Homestay new economy refers to the economic development form with homestay as the core, combining various elements such as tourism, culture and science and technology, and meeting the diversified needs of consumers through innovative business models and service methods. Its main characteristics include: Personalization: Homestay focuses on providing a unique stay experience to meet the individual needs of consumers. Localisation: Homestays often combine local culture, history and natural resources to create a localised accommodation scene. Sharing economy: By sharing idle resources, homestays realize efficient use of resources. Digitization: Homestay utilizes the Internet and smart technologies to improve operational efficiency and service quality.

民宿新经济的发展趋势：一是个性化与主题化：随着消费者对个性化体验需求的增加，民宿越来越注重提供独特的住宿体验。通过打造主题化民宿，如艺术民宿、亲子民宿、田园民宿等，民宿能够吸引特定消费群体，提升市场竞争力。二是数字化转型与智能化管理：民宿新经济正在向数字化转型，通过互联网和智能技术提升运营效率和服务质量。例如，民宿可以通过在线平台进行预订和管理，利用智能家居设备提升住客体验，通过大数据分析优化运营策略。三是绿色与可持续发展：在环保意识日益增强的背景下，民宿新经济越来越注重绿色与可持续发展。通过采用节能设备、环保材料、绿色建筑等措施，民宿能够减少对环境的影响，同时提升住客的环保意识。四是本地化与文化融合：民宿新经济越来越注重本地化与文化融合，通过挖掘本地独特的文化、历史、自然资源，打造具有地域特色的住宿场景。例如，一些民宿通过引入本地特色手工艺品、传统美食等，增强了民宿的文化吸引力。五是共享经济与社区化运营：民宿新经济通过共享闲置资源，实现资源的高效利用。同时，民宿越来越注重社区化运营，通过与本地社区合作，提供丰富的本地体验活动，增强住客的参与感和归属感。 The development trend of the new economy of homestays: First, personalization and theme: with the increase of consumers' demand for personalized experience, homestays pay more and more attention to providing unique accommodation experience. By creating themed homestays, such as art homestays, family homestays, rural homestays, etc., homestays can attract specific consumer groups and enhance market competitiveness. The second is digital transformation and intelligent management: the new economy of homestay is transforming to digital, improving operational efficiency and service quality through the Internet and intelligent technology. For example, homestays can book and manage through online platforms, use smart home devices to enhance the guest experience, and optimize operational strategies through big data analytics. Third, green and sustainable development: under the background of increasing environmental awareness, the new economy of homestay pays more and more attention to green and sustainable development. Through the use of energy-saving equipment, environmentally friendly materials, green buildings and other measures, homestays can reduce their impact on the environment and promote environmental awareness among residents. Fourth, localization and cultural integration: The new economy of homestay pays more and more attention to localization and cultural integration, and creates accommodation scenes with regional characteristics by tapping local unique culture, history and natural resources. For example, some homestays have enhanced their cultural appeal by introducing local handicrafts and traditional food. Fifth, sharing economy and community-based operation: The new economy of homestay achieves efficient use of resources by sharing idle resources. At the same time, homestays are increasingly focusing on community-based operations, providing rich local experience activities through cooperation with the local community to enhance the sense of participation and belonging of residents.

一、徐州 · 云东境

RESIDENTIAL DESIGN

徐州云东境酒店位于徐州市云龙区，紧邻云龙山东门，左倚千年古刹兴化禅寺，右接徐州博物馆，步行可达回龙窝文化街区与彭祖园，堪称“大隐于市”的典范。作为禅奢酒店，云东境以东方榫卯工艺打造磅礴建筑，回字形构造与古寺飞檐相呼应，光影流转间尽显汉文化底蕴。大堂内水景、枯山水与绿植共生，客房更以“引境入室”为理念，每间自带露天庭院或园林造景，竹影屏风、莲花元素点缀，禅意与简素交织成画。

Xuzhou Yundongjing Hotel is located in the Yunlong District of Xuzhou City, close to the east gate of Yunlong Mountain, next to the thousand-year-old temple Xinghua Zen Temple on the left, Xuzhou Museum on the right, walking distance to Huilongwo Cultural block and Pengzu Garden, can be called "big hidden in the city" model. As a zen luxury hotel, Yundongjing uses the Oriental mortise and tenon technology to build a majestic building. The zigzagging structure echoes the eaves of the ancient temple, and the flow of light and shadow fully reveals the cultural heritage of the Han Dynasty. In the lobby, water features, dry landscapes and green plants coexist, and the guest rooms are based on the concept of "ushering in the environment". Each room has its own open-air courtyard or garden scenery, decorated with bamboo shadow screens and lotus elements. Zen and simple elements are interwoven into a painting.

山下呈现的是俗世的日常景象，山上则是禅修的静谧之地。经过对周边环境特征的多维度分析，设计团队确立“禅”在高处、“常”在低处的空间规划原则——山下是充满世俗气息的日常区域，设有商业街区和文化展览等设施；而山上则保留着禅寺的踪迹，强调宁静、放松与感悟的氛围。从山下到山上，环境的转换引导人们的心态由喧嚣转为平和。因此，以“禅修”为主题的酒店定位非常契合这一场地的独特属性。

Below the mountain is a scene of everyday life, and on the mountain is a quiet place for meditation. After multi-dimensional analysis of the characteristics of the surrounding environment, the design team established the spatial planning principle of "zen" in the high place and "always" in the low place. At the foot of the mountain is a daily area full of secular atmosphere, with commercial blocks and cultural exhibitions and other facilities. On the mountain, there are traces of the Zen temple, emphasizing the atmosphere of peace, relaxation and enlightenment. From the bottom of the mountain to the top of the mountain, the change of environment guides people's mentality from noise to peace. Therefore, the positioning of the hotel with the theme of "meditation" fits well with the unique attributes of this site.

二、空间美学

RESIDENTIAL DESIGN

在较小尺度的酒店寮房中，刻意进行了空间压缩，目的在于强调感官上的静谧与专注。其内部通过六大庭院来串联各个空间，而其他大小各异的院落则用于界定不同的功能区域，从而营造出一种层层递进的空间进深感。窄长形庭院的设置，蕴含着内向包裹以及短暂停留的意味。其中配置了富有东方意象的水景、绿植、枯山水和盆景等元素。在现代建筑之中置入木构结构，能够成功地营造出古今时空相互交叠的独特体验，同时也兼顾了与周边环境相融合的需求。

In the smaller-scale hotel room, the space is deliberately compressed, the purpose is to emphasize the tranquility and concentration of the senses. The interior is connected by six courtyards, while other courtyards of different sizes are used to define different functional areas, thereby creating a sense of progressive space. The setting of the narrow and long courtyard implies inward wrapping and short stay. It is equipped with Oriental images of water features, green plants, dry landscapes and bonsai and other elements. The insertion of a wooden structure into a modern building successfully creates a unique experience of the intersection of ancient and modern time and space, while also taking into account the need to integrate with the surrounding environment.

设计团队对传统阁楼“出挑深远”“飞檐翘角”的意象进行了深入的抽象提炼，进而形成了一种摆脱传统思维定式束缚的新式屋檐。木构体系语言不仅被运用在禅堂、斋堂、知客堂以及酒店寮房接待区等公共核心空间的屋顶和入口雨棚上，而且这些木构既是承重构件，又起到了装饰构件的作用，使得室内外视觉效果实现了一体化。在木构的组织方式和表达上，十分注重错落有致的序列以及朴拙的质感。榫卯、搭接方式以及胶合木的现代工艺，既符合力学原理，又能给人带来朴素的视觉感受，同时还保持了材料特性与空间意象的和谐统一。此外，外立面及部分墙面选用了砂岩和黄岗岩材料，以此塑造出典型的现代禅意空间。

The design team deeply abstracted and refined the image of "far-reaching" and "cornice Angle" of the traditional attic, and then formed a new eaves that got rid of the shackles of traditional thinking. The language of the wooden structure system is not only used on the roof and the entrance canopy of the public core Spaces such as the Zen hall, the Buddhist hall, the Buddhist hall and the reception area of the hotel, but also the bearing components and the decorative components, making the indoor and outdoor visual effects realize the integration. In terms of the organization and expression of the wood structure, we pay great attention to the orderly sequence and the simple texture. The modern technology of mortise and tenon, lappet and glulam not only conforms to the principle of mechanics, but also brings simple visual experience to people, while maintaining the harmonious unity of material characteristics and space image. In addition, the facades and parts of the walls are made of sandstone and yellow granite materials to create a typical modern Zen space.

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