黄慎一百零八将图

黄慎生于1687年，卒年不详。慎工草书，法怀素。画人物，多取神仙故事为题材，初学上官周，后用狂草笔法作画。笔姿放纵，气象雄伟，深入古法，亦偶有笔过伤韵者。间作山水、花鸟，得荒率之致。所画多历史人物、佛道、樵夫渔父，早年工细，后参以怀素草书笔法，所作人物用笔粗犷，顿挫转折，纵横排奡，气象雄伟。花鸟笔法洗练，形象概括，画风泼辣；山水境界开阔，注重诗意的表达。黄慎款水浒一百零八将卷轴，

是其经典代表作，长卷长一般为四米左右，画面108将栩栩如生，传神到位，是一位不可多得的传世佳作。作品画风清丽工秀，用笔粗细始宜，构图结构平稳、气势连冠，用笔水墨兹华，精纯熟练，确为罕见的传世佳作。其画作精品存世稀少，其作品收藏升值前景被普遍看好！黄慎字画作品风格：黄慎擅长人物、山水、花鸟，并以人物画最为突出，题材多为神仙佛道和历史人物，也有一些现实生活中的形象，多从民间生活取材，不少作品塑造了纤夫、乞丐，流民、渔民等下层人物形象，如《群乞图》取材现实生活，描写灾荒年中，乞丐们流落街头，受人欺凌的悲惨画面，表现出他对人民疾苦的同情。画神仙佛道如《醉民图》，多操大幅，用笔设色，泼辣大胆，于迷离扑朔中见形象神韵。描绘文人生活的有《东坡玩砚图》，用笔迅疾，衣纹顿挫，线条硬折 结，墨公浓淡相间，人物轩昂、富有气势，为其成熟后的代表画风。

黄慎一百零八将图简介：一百单八将，指四大名著之一《水浒传》中梁山泊上的一百零八头领，由天罡星三十六员和地煞星七十二员组成。这一百零八人性格各异，各有所长，结局不同，是我国文学史上的经典人物群像。其小说《水浒传》同时也是刻画人物最多的小说之一。黄慎生于1687年，卒年不详。慎工草书，法怀素。画人物，多取神仙故事为题材，初学上官周，后用狂草笔法作画。笔姿放纵，气象雄伟，深入古法，亦偶有笔过伤韵者。间作山水、花鸟，得荒率之致。所画多历史人物、佛道、樵夫渔父，早年工细，后参以怀素草书笔法，所作人物用笔粗犷，顿挫转折，纵横排奡，气象雄伟。花鸟笔法洗练，形象概括，画风泼辣；山水境界开阔，注重诗意的表达。黄慎款水浒一百零八将卷轴，是其经典代表作，，画面108将栩栩如生，传神到位，是一位不可多得的传世佳作。纵观黄慎生平，果真一怪才，时人称其“诗、书、画”三绝。但论其建树，仍首推其对人物画法的革新。人物画自宋以来一直低迷不振，虽偶有为者，终不成气候。黄慎可谓力揽狂澜，为中国人物画的革新添上突破性的一笔。黄慎习此初学上官周，后参以草法入画，所绘人物不拘于形似，尽得超然之趣。这种创造性不但解放了传统人物画谨慎勾勒、细致描摹的线条，同时也拓宽了文人式人物画的绘画语言。这一突破开启了后世画家对人物画的新认识，多地名家皆有效其法者，如闵贞、王震、苏六朋等。时至今日，黄慎绘画仍影响着大批青年才俊，惜其贡献仍未引起社会足够的重视，其绘画作品的价值仍被低估。或许齐璜老人之言能使今日之藏家再度悉心揣摩其作品，云:“余在黄镜人处获观《黄瘿瓢画册》，始知余画犹过于形似，无超然之趣。决定从今大变。

人欲骂之，余勿听也;人欲誉之，余勿喜也。”此画为黄慎六十岁所作，极其精细，反映出画家的非凡功力。在扬州八怪中，黄慎的人物画无疑是最好的，如此品相完好、尺幅较大，在艺术品市场上极为少见，应当珍视，此黄慎一百零八将图有极高的收藏价值。Huang Shen was born in 1687, and the year of his death is unknown. Be careful with cursive writing and adopt a simple approach. Drawing characters, often based on fairy stories, started with Shangguan Zhou and later used wild brush techniques to draw. The posture of the pen is indulgent, the atmosphere is majestic, and it delves deeply into ancient methods. Occasionally, there are also those who have hurt the rhyme through brush strokes. Intermittent landscapes, flowers and birds, resulting in a sense of desolation. The paintings depict many historical figures, Buddhists and Taoist priests, as well as woodcutters and fishermen. They were meticulous in their early years and later incorporated the cursive strokes of Huai Su. The characters are rough in brushstrokes, with twists and turns, arranged vertically and horizontally, creating a magnificent atmosphere. Refined flower and bird brushwork, summarized image, and sharp painting style; The realm of mountains and rivers is broad, emphasizing poetic expression. Huang Shen's 108 Water Margin Scroll is his classic masterpiece, with a long scroll length of about four meters. The 108 frames will be lifelike and vivid, making it a rare masterpiece passed down from generation to generation. The painting style of the work is clear and beautiful, with a suitable thickness of the brush. The composition structure is stable, and the momentum is impressive. The brush and ink are exquisite and proficient, making it a rare masterpiece passed down from generation to generation. His high-quality paintings are rare in the world, and his collection and appreciation prospects are generally optimistic! Style of Huang Shen's calligraphy and painting works: Huang Shen is good at characters, landscapes, flowers and birds, and figure painting is the most prominent. The themes are mostly gods, Buddhism and historical figures, but also some images in real life, which are mostly drawn from folk life. Many works have created the images of lower class characters, such as trackers, beggars, refugees, fishermen, etc., such as The Painting of Group Beggars, which is drawn from real life, describes the tragic picture of beggars living on the streets and being bullied in famine years, Showing his sympathy for the suffering of the people. The painting of immortals and Buddhists is like the "Drunken People Painting", with large strokes and bold colors, revealing the charm of the image amidst the confusion and intricacies. The painting "The Painting of Playing with Inkstone on Dongpo" depicts the life of literati. The strokes are swift, the clothing patterns are abrupt, the lines are hard and knotted, the ink characters are thick and light, and the characters are dignified and full of momentum, making it a representative painting style after maturity. Introduction to the picture of Huang Shen's 108 Generals: 108 Stars of Destiny refer to the 108 leaders on Liangshan berth in the Water Margin, one of the four masterpieces. They are composed of 36 members of Tiangang Star and 72 members of Disha Star. These 108 people have different personalities, strengths, and endings, making them classic figures in the history of Chinese literature. His novel "Water Margin" is also one of the novels that depict the most characters. Huang Shen was born in 1687, and the year of his death is unknown. Be careful with cursive writing and adopt a simple approach. Drawing characters, often based on fairy stories, started with Shangguan Zhou and later used wild brush techniques to draw. The posture of the pen is indulgent, the atmosphere is majestic, and it delves deeply into ancient methods. Occasionally, there are also those who have hurt the rhyme through brush strokes. Intermittent landscapes, flowers and birds, resulting in a sense of desolation. The paintings depict many historical figures, Buddhists and Taoist priests, as well as woodcutters and fishermen. They were meticulous in their early years and later incorporated the cursive strokes of Huai Su. The characters are rough in brushstrokes, with twists and turns, arranged vertically and horizontally, creating a magnificent atmosphere. Refined flower and bird brushwork, summarized image, and sharp painting style; The realm of mountains and rivers is broad, emphasizing poetic expression. The 108 scrolls of Huang Shen's Water Margin are his classic masterpiece, with lifelike and vivid images, making him a rare masterpiece that has been passed down from generation to generation. Throughout Huang Shen's life, he was indeed a strange talent, known as the "Three Wonders of Poetry, Calligraphy, and Painting" at that time. However, in terms of its achievements, its innovation of figure painting is still the first. Figure painting has been depressed since the song dynasty, although there are occasional people, it will not become the climate. Huang Shen can be said to grasp the storm, adding to the innovation of Chinese figure paintingA groundbreaking stroke. Huang Shenxi first learned about Shangguan Zhou and later incorporated cursive techniques into his paintings. The characters he painted were not limited to their resemblance, but were imbued with transcendent charm. This creativity not only liberates the lines carefully sketched and carefully described in traditional figure painting, but also broadens the painting language of literati style figure painting. This breakthrough has opened a new understanding of figure painting for later painters. Many famous artists in many places have effective methods, such as Min Zhen, Wang Zhen, Su Liupeng, etc. To this day, Huang Shen's paintings still influence a large number of young talents, but his contributions have not yet received sufficient attention from society, and the value of his paintings is still underestimated. Perhaps the words of the old man Qi Huang can make today's collectors carefully ponder his works once again. He said, "I was able to observe the" Yellow Gall Ladle Album "at Huang Jingren's place, and only then did I realize that my paintings were too similar in appearance and had no transcendent interest. I decided to make a big change from now on. If you want to curse them, don't listen to them; if you want to praise them, don't like them." This painting was created by Huang Shen at the age of 60, which is extremely exquisite and reflects the artist's extraordinary skills. Among the Eight Eccentrics in Yangzhou, Huang Shen's figure painting is undoubtedly the best. It is very rare in the art market because of its perfect appearance and large size. It should be treasured. This picture of Huang Shen's 108 generals has high collection value.