康熙年制釉里红长颈瓶

“大清康熙年制款”青花釉里红长颈瓶，该对瓶直长颈，丰肩，圈足，底部青花“大清康熙年制”款识。瓶周身满刻绘山水人物故事图纹。景物图中展现出崇山叠嶂、屋宇林木、江水舟帆、亭榭楼阁等生机盎然的大自然景象。这瓶腹部的人物故事纹恰如一幅幽静美丽、意境悠远、韵味十足的中国山水画卷。该瓶胎质洁白缜密坚硬，瓷化程度好，手感沉重。釉面柔白清爽透亮。

整体画面构图精巧，布局合理，气势恢宏。该瓶绘画技艺娴熟，笔触细腻流畅。器物周身青、红，浓淡深浅，交相映衬，纹饰凹凸起伏。使器物整体画面更显丰富绚丽，极富于立体效果。

构成了康熙“青花釉里红”器物所独特的艺术风格和鲜明特点。这对康熙“青花釉里红”人物图长颈瓶，为康熙朝的“景德镇窑产品”的上等精品之作。它造型雄健大气，而且其胎釉之精良、绘画之精湛、色泽之纯美，充分体现出了康熙时期景德镇高超的制瓷工艺和装饰美的艺术效果。釉面光润闪青，青花色调浓艳苍翠略有晕染，料浓起处起黑斑。装饰纹样主次分明，线条绘画酣畅有力，为青花釉里红瓷器中的精品，这两件藏品极具市场竞争潜力，具有极高的收藏、投资、研究价值。

"Made in the year of Emperor Kangxi of the Qing Dynasty" blue and white underglaze red long neck bottle. The pair of bottles has a straight neck, abundant shoulders, hoops, and blue and white "made in the year of Emperor Kangxi of the Qing Dynasty" style on the bottom. The bottle is full of carved landscape character story patterns. The scenery map shows the vibrant natural scenes such as mountains, buildings and trees, rivers, boats and sails, pavilions and pavilions. The figure story pattern on the belly of this bottle is just like a quiet and beautiful Chinese landscape painting with a long artistic conception and full charm. The bottle is white, meticulous and hard, with good porcelain degree and heavy hand feel. The glaze is soft, white, fresh and transparent. The overall picture has exquisite composition, reasonable layout and magnificent momentum. This bottle is skillful in painting, and its strokes are exquisite and smooth. The utensils are blue and red all over the body, with shades of light and light, which complement each other, and the decorative patterns are concave and convex. It makes the overall picture of the utensils more colorful and full of three-dimensional effects. It constitutes the unique artistic style and distinctive characteristics of Kangxi's "blue and white underglaze red" artifacts. This pair of "blue and white underglaze red" figure long necked bottles of Kangxi Dynasty are the first-class works of "Jingdezhen kiln products" of Kangxi Dynasty. It has a vigorous and magnificent shape, and its fine body glaze, exquisite painting and pure color fully reflect the superb porcelain making technology and decorative beauty of Jingdezhen in the Kangxi period. The glaze is glossy and shiny blue, the blue and white color is dense and bright, the green is slightly faint, and there are black spots where the material is thick. The decorative patterns are primary and secondary, and the line paintings are smooth and powerful. They are the boutiques of blue and white underglaze red porcelain. These two collections have great market competition potential and high collection, investment and research valu