【内含福利】纯正布鲁斯与西部牛仔 · Eric Allen专访｜Behind The Music Vol.23

Eric Allen

西部牛仔在北京

首张同名专辑

#Eric Allen

从纽约到北京，Eric Allen是中国外文局新世界出版社的美籍审稿专家，也是活跃在中国的一名蓝调歌手。

在来中国之前，他在纽约作为独立音乐人演出。在中国，Eric Allen在各地举办多场演出，演唱了翻唱曲目和原创歌曲40 Years, Holy Rollin’, She Waits, All On Death Row等，把传统纯正的美国蓝调、西部牛仔音乐带到了乐迷面前。

#专辑准备故事

回首过往经历，虽然沉重，但正是这些些经历让Eric在音乐创作上有感而发，沉淀了的自己和对过去的释然，诞生了更加深情纯净的创作风格。这张专辑Eric Allen是为了和自己过去失去的人，家乡，生活重新连结而产生。专辑将在2020年1月12日全球上线，专辑首演将在1月23号北京江湖酒吧举行。

Q&A

1从新专中选一首歌，向不认识你的乐迷介绍自己的话，你会选哪首？

If you were to choose a song from the album to introduce yourself for fans who don’t know you, which one would it be?

“40 Years”和“In Me”。如果你把两首歌放在一起听，你就能了解我在美国的生活以及我是如何我看待事情的。

“40 years”是关于我父亲在中西部的生活，在工厂里工作，玩音乐，老年时独自生活。当然，这也反映了我的成长经历，是什么塑造了我的个性和影响，以及我对人类日益自我瓦解的一种看法。

“In Me”关于我对生活在纽约时的日常，以及离开中西部之后继续的我的生活。“In Me”的歌词反映人在社会的边缘受到压迫的经历后仍拥有热爱的毅力。我相信正是这些经历让我们成为纤细敏感，富有同情心，深情的人。

“40 Years” and “In Me.” If you put these two songs together, I think you can get a good idea about my life In the US and how I look at things. “40 Years” is about my father’s life in the midwest, working in a factory, playing music, and living alone in old age. This, of course, reflects my upbringing, what shaped my personality and influences, and my view of one way in which humanity is increasingly failing itself.

“In Me,” about everyday sounds I recall from my time living in New York City, picks up with my life after I left the midwest. The “In Me” lyrics reflect my love for the grittiness, the margins of society, the downtrodden, and my belief that it is those things that make us more conscious, compassionate, soulful people.

2.专辑创作于2018和2019年，其中有许多歌关于故乡、家人和年少时的朋友，似乎是张载着记忆的专辑，是什么原因让你在2018开始了专辑创作呢？之前有一直在写歌吗？

The album was created in 2018 and 2019. There are many songs about your hometown, family, and friends. It seems to be an album of memories. What made you start album creation in 2018? Have you been writing songs before?

“Night Falls Again,”这首歌是直接和我的家乡有关， 另一首 “40 Years”间接地和我在家乡的生活有关。

许多歌和我的家人，朋友以及其他从过去到现在陪伴我的人有关。不过我觉得至今为止我比较多强调歌曲和家乡印地安那曼希的关系。专辑里体现我的家乡，这挺重要的，但这些歌同样和纽约，洛杉矶马里布有关，从乔治亚南部贯穿到德州。

这张专辑更多的是和美国亚文化有关-对我产生影响的蓝领的南部的音乐亚文化。有些人把他们称做美洲的，本土的，布鲁斯和民谣。

但对我来说，我只是深入到自己的内心再不加滤镜地自然而然地把各种想法表达出来。我在2018到2019这两年经历了灾难和失去，心境到了这个地步。

我父母去世，而我妹妹的家，也可以说是我的第二个家，被烧了。对我来说在美国的失去经历很重要。最终在黑暗中摸爬滚打这么多年之后，我能够写下我所感觉到的我的真实感受- “Hello My Soul”想表达的就是这个。

可能这首专辑就是我重新和美国失去的人们和地方重新连结的方法。

There is one song directly about my hometown, “Night Falls Again,” and one, “40 Years,” that more indirectly references life in my hometown. Many of the songs have some connection to family, friends, and others from my past and present. But, I think the literature so far has over-emphasized the connection between my Muncie, Indiana hometown and these songs. Muncie is there on the album, and it is certainly important, but these songs also relate to New York City, Malibu in Los Angeles, and across the south from Georgia to Texas.

This album is more about a US subculture - the blue collar, southern influenced, musical subculture that has influenced me. Some call it Americana, roots, blues, folk. To me, it’s just what you get when you can reach inside yourself and pull things out without using any filters. I was able to do this in 2018 and 2019 following alot of tragedy and loss. All my parents had passed away. My sister’s home, which was like home to me, burned in the Malibu fires. So, I felt that those things in the US that were most important to me were disappearing. Finally, after years spent in the dark artistically, I was able to write songs that I feel are real and genuine reflections of me - “Hello My Soul” really speaks to this. Maybe this album is my way of re-connecting to those lost people and places in the US?

3.你在中国待了许多年，专辑风格还是非常纯正的布鲁斯民谣、乡村牛仔，这样的创作风格是怎么形成的呢？

You have been in China for many years, and still the album’s tracks are a very pure blues, folk, and country cowboy style. What has influenced and created your style?

这个需要回到我刚回答的第二个问题提到的蓝领，受南方影响的音乐亚文化。

我在三岁之前都在我父亲身边长大，那里有乡村、西方乐队，围绕着蓝草乐队和阿巴拉契亚山音乐风格。

这是old school、乡村和蓝草乐队，像Johnny Cash, Kris Kristofferson, Merle Haggard, Ralph Stanley, 和Bill Monroe，混合一些像Bob Wills & the Texas Playboys的德州牛仔。我会把这称做是阶段一的影响。

到了第二季阶段，随着我的成长，对蓝调的热爱引发我对摇滚乐队的关注，滚石，齐柏林飞艇，披头士影响了我。

阶段二后来对于阶段三起到弹射作用，包括我之前提到的乐队，我还受到Muddy Waters, Lightnin‘ Hopkins, Buddy Guy, Blind Willie McTell, Robert Johnson, 以及rockabilly Carl Perkins等艺人们的影响。

阶段三同样包括不同布鲁斯种类对我的影响，其中我会选择德州牛仔和西方布鲁斯风，更加具有像Townes Van Zandt, Steve Earle, Guy Clark, Gillian Welch and David Rawlings, Emmylou Harris, 还有Jerry Jeff Walker的不插电拾音风格。我还挺期待第四阶段会如何发展的。

Well, it goes back to that blue collar, southern influenced, musical subculture I mentioned in Question 2. I grew up from about three years old around my father’s country and western band, and around bluegrass and Appalachian mountain musical styles. This was the old school country and bluegrass like Johnny Cash, Kris Kristofferson, Merle Haggard, Ralph Stanley, and Bill Monroe, with some Texas cowboy mixed-in, like Bob Wills & the Texas Playboys. I would call this my Stage One influences.

As I got older, Stage Two I guess, rock bands that came up through a love of the blues, like the Rolling Stones, Led Zeppelin, and the Beatles, influenced me. That Stage Two kind of catapulted me into Stage Three later, which included influences by the blues artists from which those rock bands had drawn, like Muddy Waters, Lightnin’ Hopkins, Buddy Guy, Blind Willie McTell, Robert Johnson, and rockabilly Carl Perkins, etc.

Stage 3 also included a different kind of blues for me, one I would call a Texas cowboy and westerny blues style, a more acoustic fingerpicking style, like Townes Van Zandt, Steve Earle, Guy Clark, Gillian Welch and David Rawlings, Emmylou Harris, and Jerry Jeff Walker. It will be interesting to see what Stage Four brings.

Eric Allen的音乐属于classic，funk，传统布鲁斯。如果你喜欢old school音乐或者是牛仔电影，你会成为他的粉丝。不管是中国，美国还是其他国家，这些歌曲里有沙漠，荒芜之地，沙漠之城，牛仔，以及六七十年代的景象。我喜欢这种old school，布鲁斯，放克音乐。祝你好运，老朋友!

Eric Allen's music belongs to classic, funk and old blues. If you like old school music or western cowboy movies, you will be a fan. Whether it is China, the US, or others, these songs have the desert, no man's land, deserted towns, cowboys, and the 1960s-70s. I like this old school, blues, funk music. Good luck, old friend!

-张奕扬，媒体人

4.在北京这些年，感受到的北京的音乐场景是怎样的呢？对你的音乐表达有影响吗？

How do you feel about the music scene in Beijing these past years? How has it affected your musical expression?

我在北京对外国音乐场景和中国布鲁斯场景最熟悉。我感觉北京场景过于集中开始往外走了，稍微有些遗憾。

像大篷车消失，意味着一件以悠闲，支持氛围且真诚欢迎创作人的地方少了。

幸运的是，我现在想起来的两个地方宝钞仓库和他的创始人Van G还在。

我发现中国音乐人做布鲁斯音乐很好。看到这种深情、根性的鲜为人知的类型在中国和城市里表演流行歌，快节奏风格舞曲一起存在时，还是挺欣慰的。

另一个鼓舞的发现是在北京现在你至少能发现一家从星期天到星期四都开放的MIC或Jam。

I am most familiar with the foreign music scene and the Chinese blues scene in Beijing. I can’t really speak specifically for other music scenes here. I feel the Beijing scene is contracting a bit, and shifting more to the outskirts, which is unfortunate. The loss of a place like Caravan, for example, means one less place that is genuinely welcoming to songwriters in a laid-back, supportive atmosphere. These kinds of places are very important to the growth of a music scene in that they help to incubate musical creativity. Fortunately, there are still some of these places around - Soi Baochao and Van G is one that comes to mind.

I have found that the blues scene, particularly among Chinese musicians, is doing pretty well. It’s encouraging that this soulful and roots-based, but less known, genre in China is coming along in a city too laden with backing tracks for instruments or bands that exclusively play popular, upbeat dance cover tunes. Another encouraging sign for musical creativity is that you can currently find at least one open mic or jam Sunday through Thursday night every week in Beijing.

5.作为你的首张专辑，在专辑创作制作的整个过程中有没有遇到什么意想不到的事？

As this is your first album, did you encounter any unexpected things during the entire process of album creation and production?

我学习了很多在麦克风，混音，母带上面的录音细节.我强力推荐我们的录音师Brad Throutin。

他不仅专业技术上很棒，同时在做音乐的时候像老师一样非常有耐心，我们花了很多晚，六个月的时间进行录音，混音，母带制作。

其中我学到最重要的一件事是在使用不插电吉他和其他乐器的时候对多功能麦克风的使用。

另一件就是在混音阶段对吉他和人声分开录制的优势。

Well, I learned alot about recording details in the micing, mixing, and mastering process. The studio engineer was Brad Thruoutin, who I highly recommend. Brad is not only good at his craft, he is very patient and was a bit of a teacher for me in terms of production. We spent almost six months recording, mixing, and mastering, with many late nights.

One of the most important things I learned was the value and implications of using multiple microphones on the acoustic guitar and other instruments. Another important thing related to the advantages during the mixing phase of recording the vocals and guitar tracks separately.

6.对比之前在纽约作为音乐人以及作为乐队成员的经验，这次在中国作为发行自己的专辑有没有什么特别的体验？

Compared with your previous experiences as a musician or band member in New York, is there any special experience in releasing your own album in China this time?

我在中国并没有怎么改变自己的音乐风格。当然，经历和纽约不太一样。

我大部分歌曲都是在讲故事。所以我把歌词翻译成中文能够帮助中国朋友理解我想表达的东西。慢歌不一定就是关于爱情的-尤其是我的音乐很少有情歌。

另一个经历不同是由于在谈项目的时候对方不说英语，或是通过翻译交流。这两种方式要求你在表达自己观点时付出更多精力。

语言壁垒是我在中国发行专辑和在美国时经历主要的不同之处。

I really have not changed anything about my musical style in China, but certainly the experience here differs from that in New York.

A lot of my songs tell a story. So, I had all the lyrics translated into Chinese to allow for a better understand of what these songs are saying, what they are about, what story they are telling. No, slow songs don’t always mean love songs - especially with my music - I rarely write love songs. I hope that including the lyrics in Chinese will help people understand these stories.

Another way in which the experience has differed was in communicating with some folks on the project who don’t speak English, or communicating through a translator. Both ways require more attention to detail when trying to convey what you want or your opinion. Language barriers have been the main difference in my experience releasing an album in China.

7.专辑即将发行，业内的朋友给了新专很多诚恳的评价，你自己觉得这张专辑乐迷最可以期待的一点是什么？

The album is about to be released, and friends in the music industry have given the new album a lot of sincere comments. What would you want listeners to take away from this album?

我希望他们能够接受不插电原声音乐和电子音乐一样有影响力。这张专辑完全不插电。感觉才是重要的。

在“40 Years”中原声二重奏有强大感觉。这也是我希望听众能从这张专辑里面共感到的。

希望听众带着对专辑纯净，深情感受来理解音乐里的美国和布鲁斯风。

I hope they can take away that acoustic can be just as powerful as electric. This album is entirely acoustic. It is the feeling that matters, not whether it is electric or not. For example, there is powerful feeling in the acoustic duet “40 Years.” This is a more specific thing that I want listeners to take away from this album. More generally, I want listeners to view this album as pure, from the heart, soulful feeling that reflects the Americana and blues culture from which this music derives.

All on Death Row，Holy Rollin‘，Stillhouse Blues和Rattlesnake Mama每一首歌都表现了Eric Allen的个人风格。我非常喜欢She Waits and All on Death Row。乐器非常饱满，都是好歌曲！

All on Death Row, Holy Rollin’, Stillhouse Blues, and Rattlesnake Mama each represent that

distinctive Eric Allen personal style. I really like She Waits and All on Death Row. The instrumentation is very full and they're all great songs!

-吕京 (Ryan),

UFO Space & Guru Hole主理人

Eric的新曲通过中国北京的酒吧直通密西西比河谷。想象布鲁斯小提琴声线拖拽着死亡线产生的悲伤，或是山上的情侣回忆起背着乐器实现梦想的时光，然后你深入僻静胡同，寻达晚上的美国蓝调。

Eric's new collection takes you down the Mississippi Delta River Valley via Beijing, China's gritty bar scene. Imagine a blues violin line tugging hard on haunting laments from death row, or a mountain lover remembered in a guitar-picking dream-state, and you have henceforth entered the little-known, hutong-access portal into late-night American blues.

-Ember Swift，音乐人

很给力！果敢，灰尘，汗水的音乐从美国南部持续在北京胡同中焕发生机！从“Rattlesnake Mama”的传统摇摆布鲁斯到“40 Years “中大提琴弦的呢喃，Eric Allen和他的woodshed乐队将布鲁斯带向了2020。没有过多添加人们会喜欢这音乐的真实。当你听到弹奏woodshed拨过时发出的声音，那是已经释然的痛苦，无需懊悔的悲伤和自由的灵魂！

Bring ya’ plow! Songs of dirt, sweat, and toil that reverberate from the porches of the American South to the Hutongs of Beijing! From classic blues shake downs like “Rattlesnake Mama” to the murmurin’ of cello strings in “40 years”, Eric Allen and his Woodshed bring the blues to 2020. Ain’t no artificial flavorin’ in these grits y’all! When ya’ hear the tools of the Woodshed a clangin’ and a bangin’, ya’ hear the pain that relieves the hurt, the sorrow that is unapologetic, and the soul that moves the body!

-Micah McCauley,

Better of Alive主唱

8.你说是你自己的创作里第一首真正喜欢的歌，那么这首歌是在什么情境下写的呢？为什么说这是第一首真正喜欢的自己的创作呢？

You said that "Road Travels On" was the first song you really liked of your own creation. In what context was this song written? Why do you say this is the first song you ever wrote that you actually liked?

我好像是在深夜里写“Road Travel On”这首歌。这个过程让我想起芝加哥歌曲“25 Or 6 to 4”，关于晚间创作的困难。

我晚上会熬上几个小时写Road Travel On这首歌。而这首歌是关于创作的困难：这些年我经历的困难。

对这首歌有多愁善感的情绪是因为我在写歌时挺焦躁的。不过我坚信只要我坚持下去我在音乐中找寻的灵感自然会出现。

这就好像旅行。那时我也每天听老 Townes Van Zandt这首歌，对我写Road Travels On 有很大影响。有段时间，Townes会骑着他的马，Amigo，每年从阿斯彭山到科罗拉多的克雷斯特德比特山。

你可以从这首歌中发现对这些路途，景象的描述。所以，Road Travels On 是第一首我写的反映我的歌-像是飘荡的猫头鹰挣扎着用音乐表现自己，坚定的歌唱到最后。

这是我喜欢这首歌的原因-以及比起待在在皱巴巴起灰的文件纸篓，更适合收录在专辑中。

It seemed I was always composing Road Travels On late at night. This process regularly reminded me of the Chicago song “25 Or 6 To 4,” which is about late night difficulties in songwriting. I tend to be up at all hours of the night and Road Travels On is about difficulties in songwriting: Difficulties I had experienced for many years.

The true sentiment of Road Travels On was my frustration in writing, yet my undying belief that the feeling I sought in my music would happen as long as I kept trying, i.e., traveling on that road. At the time, I was also listening to old Townes Van Zandt songs every day, and that really impacted the imagery in Road Travels On. For awhile, Townes would ride his horse, Amigo, through the mountains from Aspen to Crested Butte, Colorado each year. You will find lines in this song that draw directly from the imagery of those rides.

So, Road Travels On was the first song I wrote that I felt reflected me - kind of a drifting, floating night owl struggling to express myself musically, but determined to keep singing ‘til the end. That’s why I actually liked this song - why it’s on this album instead of collecting dust or crumpled-up in the circular file.

9.如果你有一次机会穿越时空回到过去的某一天，那会是哪一天？

If you had a chance to travel back to a certain day in the past, what day would it be?

我不知道，我不太喜欢这种问题。这难道不是在说我想回到过去改变不愉快的事情，活着重新体验开心的事情吗？我应该说结婚那天，或是我第一个孩子出生的日子？我离了两次婚也没小孩。那我应该选拿到驾照的日子吗？但我从不开车。

这就好像问“你最喜欢的乐队，音乐是？” 这很难回答，答案会随着我的心情改变。

如果真让我选一天，那么我认为2012年5月，对我来说是重要日子。那是我辞去在纽约公司的工作，成了我人生的转折点。

尽管财务受到保障，但公司式的思维模式堵塞了我的艺术创造力。离开公司给我更大空间成为创意艺术家。不过，在生活中我觉得只要我活着，每天都很重要。

I don’t know, I don’t like this kind of question. Is it meant that I would travel back to change something that I didn’t like, or to experience again something that I did like? Should I say my wedding day or the day my first child was born? I’m twice divorced with no children. Should I say the day I got my driver’s license. I’ve never driven a car. It’s kind of like ‘What’s your favorite song, favorite band?’ I never know the answer. It changes based on my mood that day.

One day, however, that I would say is important is the day, in May 2012, when I left my corporate job in New York. That was a turning point because, although corporate work provides more financial stability, there’s nothing like the corporate mindset to stifle artistic creativity. Leaving the corporate world allowed me space to open myself as a creative artist. So, that was a very important day. But, in reality, every day is important as long as I’m alive!

10. 对2021年期待的三件事？

Three things to look forward to in 2021?

（1）我的专辑，《Eric Allen》发行了..1月23日江湖酒吧首演，快来加入我们！

（2）从春季开始我的乐队Woodshed以及我个人将在全国巡演。Woodshed同样在找寻其他乐器来丰富布鲁斯层次，特别是北京极客。

（3）我已经为Eric Allen第二张专辑准备好了素材。可能在2021年晚些时候开始录制。不管怎么说，期待2021年会成为分水岭的一年。

(1) The actual release of my album, Eric Allen, on January 12th with a release show to follow at Jianghu Bar on January 23rd. Come join us!

(2) Look for the Eric Allen Woodshed, and me solo, on tour throughout China starting in the spring. The Woodshed is also looking at bringing in some additional instruments to add more levels to our blues, particularly for Beijing gigs.

(3) I have most of the material ready for an Eric Allen II album. I may start recording on that project late in 2021. Regardless, I’m looking forward to 2021 being a watershed year.

业内乐评

刘慧媛，声色Livehouse

谢谢Eric Allen的音乐 “She Waits”非常深情，马上让人们共情起来。平静且优雅，大家都在期待的专辑！

Thanks to Eric Allen's music, "She Waits", infinitely affectionate, will bring the beautiful resonance between people closer in an instant. Peace and beauty, the world looks forward to it!

启明，音乐人

我非常喜欢All on Death Row，Holy Rollin，Rattlesnake Mama和Stillhouse Blues。我非常喜欢这几首中的律动感。“She waits”是一首很酷的歌！

I like very much All on Death Row, Holy Rollin’, Rattlesnake Mama, and Stillhouse Blues. It’s very cool! I like the groove. She Waits is also a cool song.

吴小强，AR酒吧

非常喜欢Holy Rollin' 和Stillhouse Blues。很享受其中的节奏感，这就好像过着悠闲的乡村生活。

I really like Holy Rollin‘ and Stillhouse Blues. I enjoy the tempo, it's just like a leisurely and carefree life in the country.

大大大磊，反说琴行

我觉得你的作品可以当西部片的电影主题曲

王志明，北京Impresario

所有的歌曲相当原创有创意。40 Years和Bartender的吉他更加有旋律感，或许是更加纯净的布鲁斯音乐。Rattlesnake Mama和Stillhouse Blues像是说话一样娓娓道来。All on Death Row 也有很好音乐性。

All the songs are quite original and creative. 40 Years & Bartender's Guitar are more melodic and possibly purer blues music. Rattlesnake Mama & Stillhouse Blues are a talking style of singing. All on Death Row is great musically too.

张未名，北京资深媒体人

我被She Waits惊艳到，为了中国战斗英雄而做的鲜为人知的忧郁美国布鲁斯。很适合！

I am particularly struck by She Waits. Rarely-heard, somber American blues for a Chinese war time hero. What a great fit!

Hugh Reed

The Velvet Underpants主唱

刚从Woodshed走出的是每一个男人 - 和女人 - Eric不只是 '说话'， 他在名为烹饪的音乐创作中加入许多与他独特的北京布鲁斯进行调剂-从远东到狂野的西部 - 从长城到墨西哥边境墙 - 从中国到肯德基 - 埃里克的音乐景观比他们都宽广。

Tom Waits - for no man - but Eric’s new cuts - freshly rolled out from the Woodshed are for every man - and women - Eric doesn’t just ‘talk the talk’ but he ‘woks the wok’ with his unique Beijing Blooze - from the Far East to the Wild West - from the Great Wall to the Mexican Border Wall - from the PRC to KFC - Eric’s musical landscapes are wider than them all.

Dan Taylor，

Harridans主唱&吉他手

Eric，歌曲太棒了！喜欢和弦的部分，尤其是She Waits这首的和弦混合的很好。

Sounding great, Eric! Loving the string parts, really mixes it up a little. The strings on She Waits...sounding beautiful! Really well done.

Korey Livy，Big Twin 唱片

Eric Allen的自然真实嗓音在他的首专展露无疑。“She Waits”这首歌认证了他作为延续把握过去旋律的创作、表演歌手的实力。

The raw natural tones of Eric Allen are beautifully showcased in his debut self titled album. The song “She Waits” is a testament to his skills as a songwriter and performer, capturing the haunting echos from the past.

Jamie Mcilroy，

Bang Bang Mary主唱

Eric Allen用他的原创布鲁斯音乐开启一段旅程。从All on Death Row展示的欢快帽子戏法到She Waits的优美感人旋律，他用这张专辑创作了很特别的作品。

Eric Allen takes you on a full journey with his original blues music. From the upbeat sinister shuffle of All on Death Row to the beautiful and touching She Waits, he has truly produced something special with the release of his album.

Badr Benjelloun，

意大利Caravan前主理人

在远东的某个地方，白酒从月光倾泻，40 Years 的歌词描述的流浪者诉说着Rattlesnake Mama在Stillhouse Blues的木棚屋（Woodshed）等待着流浪者回归，再次互诉衷肠的故事。Eric的首专忠实于传统的“3和弦和真善美”来重新发现后台恶臭，烟熏缭绕，烟酒热烈气氛仍围绕着你。

Somewhere in the far east, where the baijiu fills in for moonshine, an outlaw on death row with a 40 years sentence tells the tales of a rattlesnake mama at the stillhouse blues woodshed awaiting his return to tell that joke again. Eric’s debut is a musical journey in the fine tradition of "3 chords and the truth” to rediscover that backroom stench, smoky haze, and liquid burn that are still in you.

Paul F.北京Paddy O‘Shea’s

Eric用特别音符把我们带回布鲁斯源头。你能感受到他的灵魂在整张专辑中的流动！

Eric brings us to the roots of blues with special notes. You can feel his soul moving through the album. Nicely done!

Peter Hogg，北京Ossie酒吧

我很享受Eric Allen这张专辑。他用自己的风格展现了自己的作为音乐的人天赋。很喜欢这些专辑的歌曲也发现多样的布鲁斯音乐。

I have enjoyed listening to the new album by Eric Allen. He is a talented musician with his own style and it is great to listen to his original blues music. I enjoyed the tracks and found a good variety of blues music on the album.

福利

江湖酒吧JiangHu Bar

2021.01.23 周六Saturday

预售Presale ¥80/现场Door ¥100

不玩儿赠票了，这次我们送

按下文步骤走，我们送你一支事后烟～

As a special promotion sponsored by CIRPAI, if you forward this article, you will get a free electronic cigarette at the show.

Step 1：

购票

Buy your ticket

Step 2：

Share this article to your Wechat Moments

Step 3：

将分享后你的朋友圈页面截图及购票截图，发送给 MusicDish独立小炒 公众号。

Send a screenshot of your your Moments with the article shared and of your ticket purchase to our official MusicDish wechat account

我们将选取收到截图的前25名，

在演出现场送出哌CIRPAI电子烟一支，

名单将在12.31前公布。

The first 25 people to share the screenshots to our account will be notified befor 12.24 on how to pick up their CIRPAI e-cig at the show

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关于哌CIRPAI

哌（兀）来源于60年代的哥特式风，同时又保留最经典的形态，简单，时尚又不违和。

兀Cirpai经马德里自家实验Przulj博士推荐选用政府审批唯一符合国标的波顿集团烟油，其中的香精是从天然植物中萃取。烟油中香精含量是行业中唯一达到国标的烟油。

兀Cirpai甄选每一种进行组合， 培养独家双弹双料新品口味。以彩虹七色转换的时间轴为主线，通过撞色具象载体，传达24种空间概念，消费者可以放心使用。

独立小炒

从纽约看中国，致力于中外音乐的交流发展。

Listening to the Chinese Youth Generation

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